Nicholas Hlobo
Hans Ulrich Obrist: How did you come to art? Was there some kind of an epiphany? Nicholas Hlobo: It was…
Hans Ulrich Obrist: How did you come to art? Was there some kind of an epiphany? Nicholas Hlobo: It was…
Through this Survey, Flash Art asks a group of top gallery owners about the upcoming season. 1) Tell us about…
Linda Yablonsky: The first time I saw your work, three years ago, I asked if you considered yourself a sound…
Maurizio Cattelan: Ciao, John. Can you hear me okay? John Henderson: Yes, I can hear you surprisingly well. MC: Let’s…
If I say “pumpkins and turbans,” the first thing that comes to mind might be the edible squash called a…
Florence Derieux: I keep a vivid memory of the first work of yours that I ever saw. Un chien andalou…
Agnieszka Gratza: Am I right in thinking that there has been a shift away from the representation of the human…
Donatien Grau: This idea of the body of the text is really important in your work… Michael Dean: All my…
Urs Fischer’s retrospective at Palazzo Grassi, Venice, comprises works made between the early ’90s and the present day, and starts…
Alejandro Jodorowsky: I would like to start this alphabet with the letter B as the prologue. Bonsai. Why? Because you…
Patrick Steffen: When did you start working with Bas Jan Ader? Patrick Painter: When I first picked up Bas Jan…
It’s hard to miss Chen Tianzhuo when you meet him for the first time; whereas most artists in Beijing dress…
Due to its spread-out character, with a disproportionate number of artists dispersed over twenty venues and a multitude of topics,…
Humberto Leon and Carol Lim are taking over Paris: freshly appointed as creative directors of Kenzo, the two New York–based…
This is an excerpt from my Facebook wall, prompted by a statement I made regarding my visit to dOCUMENTA (13)…
I have come to the conclusion that there is no other possibility to do something for man other than through…