John Henderson
Maurizio Cattelan: Ciao, John. Can you hear me okay? John Henderson: Yes, I can hear you surprisingly well. MC: Let’s…
Magazine Articles
Place: Image or Experience
If I say “pumpkins and turbans,” the first thing that comes to mind might be the edible squash called a…
Ciprian Mureşan
Florence Derieux: I keep a vivid memory of the first work of yours that I ever saw. Un chien andalou…
Vlatka Horvat
Agnieszka Gratza: Am I right in thinking that there has been a shift away from the representation of the human…
Micheal Dean
Donatien Grau: This idea of the body of the text is really important in your work… Michael Dean: All my…
Urs Fischer: Madame Fisscher
Urs Fischer’s retrospective at Palazzo Grassi, Venice, comprises works made between the early ’90s and the present day, and starts…
Alejandro Jodorowsky
Alejandro Jodorowsky: I would like to start this alphabet with the letter B as the prologue. Bonsai. Why? Because you…
Bas Jan Ader
Patrick Steffen: When did you start working with Bas Jan Ader? Patrick Painter: When I first picked up Bas Jan…
Cults, Choreography and the Eschatology of Maizidian
It’s hard to miss Chen Tianzhuo when you meet him for the first time; whereas most artists in Beijing dress…
dOCUMENTA (13)
Due to its spread-out character, with a disproportionate number of artists dispersed over twenty venues and a multitude of topics,…
Kenzo
Humberto Leon and Carol Lim are taking over Paris: freshly appointed as creative directors of Kenzo, the two New York–based…
On Art and Revolutions,
or a Facebook Ranting
of Yours Sincerely
This is an excerpt from my Facebook wall, prompted by a statement I made regarding my visit to dOCUMENTA (13)…
Joseph Beuys
I have come to the conclusion that there is no other possibility to do something for man other than through…
The Rise of Turkey
Flash Art invites a selection of some of the most dynamic Turkish galleries, institutions, curators, collectors and artists to give…
Liz Magic Laser
Patrick Steffen: You sometimes recast existing plays or re-enact existing dialogues or scenes. Should I understand from this that reality…
Korean Eye
Ahead of an exhibition lie the immeasurable expectations of its audience; behind it, the concealed circumstances of its preparation. Between…