Alfredo Volpi
When Brazil suffered its great World Cup defeat on July 8, 2014, losing seven to one against Germany, its…
Michele D’Aurizio: In 2002 you organized a group show titled “poT” in the context of the Liverpool Biennial, which then…
Over the past thirty years, many critics have become used to evaluating the work of painters by their level of…
When asked in an interview about what triggered her iconic Water Event (1971), Yoko Ono said that when she first…
In 1984, when he took part in the group show “Como vai você, geração ’80?” [How are you doing, ’80s…
Adriano Amaral’s delicate installations are grounded in the interpolation of layers, elements and moments of both experience and representation. Matter,…
OK, OK, so good-time summer isn’t entirely gone; it probably never really is. Sounds a little true and somewhat right…
For over a decade, Anna Maria Maiolino has produced a series of sculptural objects called Outros (Others, initiated in 2000).…
In the aftermath of the global financial crisis in the late 2000s, the international media seemed to give unprecedented exposure…
If São Paulo’s contemporary art production is, for the moment, mainly centered on exhibition programs within a sprawling network of…
Bruno Dunley: When I first started to think about this conversation, it occurred me that a common ground I perceive…
Barely two days into its existence, “Art of Change” found a critic in the authoritative figure of Ai Weiwei, who…
Jan Tumlir: In your latest paintings there are forms we identify as “figures,” simply because they are bounded by contour lines…
Jade Niklai: Your practice reminds me of the ancient art of storytelling. Fact and fiction are consistently interspersed with meaning and…
Angelo Capasso: Hypothalamic Brainstorming, is the work that you chose for your participation in dOCUMENTA (13). The hypothalamus is a…