Renée Green “Inevitable Distances” Migros Museum für Gegenwartskunst / Zurich
Each Renée Green work is an exhibition in itself. Multipart in form, often originally site-specific, Green’s works are precise webs…
Each Renée Green work is an exhibition in itself. Multipart in form, often originally site-specific, Green’s works are precise webs…
“Carolee Schneemann: Body Politics,” on view at the Barbican Centre, begins with paintings. The opening text reads: “I’m a painter.…
Having received nearly simultaneous invitations from a pair of Parisian institutions, Cyprien Gaillard proposed an exhibition that could heap the…
It’s a disturbing sight, at first: a person up against the wall of the ICA in Philadelphia, sniffing it. Then…
Cecilia Alemani has curated a posthuman biennial, or so the worldwide press reports. The New York curator used the term…
“When, beneath the black mask, a human being begins to make himself felt one cannot escape a certain awful wonder…
We live in a time of complacency and apathy, when violence, climate disaster, and suffering are daily realities and yet…
Some whistles are like a kettle. In Nikita Gale’s Chisenhale installation of light, sound, and sculpture, something is under sustained…
Art-world professionals are busy biennial-hopping once again. There’s the big one in Venice, the new edition of Manifesta in Pristina,…
What else would Tita Cicognani put in a Hammer Projects space for a summer solo exhibition but a hot tub?…
Kader Attia, the artist who co-directed this year’s edition of the Berlin Biennale, has placed repair as a strategy at…
On a clear moonless night, looking out from the shore, the horizon might disappear and the two great physical voids…
Dominique Gonzalez-Foerster wants to know: “What if aliens were in love with us?” Influenced by her research into extraterrestrial life,…
Last November Wolfgang Tillmans released his first studio album, Moon in Earthlight, a fifty-three-minute-long soundscape that weaves together pop elements,…
When the word skin is verbalized — to skin — the associations with this outer layer of the body start…
One is a critic because one has never felt affirmed (Barbara Kruger never speaks in the third person). There is…