Surface Compressions. Coumba Samba
What is “raw material” in an age of ready-mades? For Coumba Samba, it is color. Her show “Red Gas” (2024)…
Features
Spatial Choreographies. A Conversation with Brett Ginsburg
During an inspiring video conversation over coffee with New York City-based artist Brett Ginsburg – an evening decaf espresso for…
when the party’s over. Jasmine Gregory
If the fantasy, or idea, of America presents an archetype of love-bombing, Jasmine Gregory’s work lays bare the seduction and…
Anything-Post-Something. Nina Hartmann
Nina Hartmann’s work is probably post-meme and definitely post-gamebook. Remember those exciting books where you could choose your destiny? Where…
CRY, SCREAM, DIE. Elaine Cameron-Weir
In “A WAY OF LIFE,” Elaine Cameron-Weir’s solo show staged earlier this year at Lisson in New York, the artist…
The Politics and Erotics of Receptiveness. A Conversation with Tom Burr
Gordon Hall: Can you tell me about the origin of your Torrington Project, the upcoming event, and the book project?…
Anti-Composition BBM
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System Failure. Maren Karlson
It’s easy to forget that painting itself is a technology, but before the arrival of photography, painting possessed the unique…
Young Men’s Games. Matthew Barney
Matthew Barney’s latest film, Secondary (2023), builds to a single moment — a balletic reenactment of the infamous 1978 American…
Live Forever. Anicka Yi
YOU HAVE TO LET GO OF THE PAST Anicka Yi often collaborates with biologists, chemists, engineers, and other specialists. For…
Manufactured Innocence: A Roundtable with TWIST and Students from SCI-Arc. A Conversation with Ari Diamond-Topelson, Reed Donaldson, William Madsen, and Maria Kuraeva.
1996. A dimly lit table. A blacked-out television studio. The Charlie Rose Show. A talk show host and three young…
Between Jurassic Cocoons and Dry-Aged Anal Beads. Eva Fàbregas
A colony of massive, spherical forms infiltrates the panopticon architecture of M|A|C Mataró, a former prison turned art museum…
Hopkins House: Notes on HT Architecture
High Stakes Michael Hopkins, together with his wife Patty, designed a steel, aluminum, and glass house. Housing the practice and…
In the Cut. Frida Orupabo
Frida Orupabo’s work is uncompromisingly and unapologetically confrontational. Sifting through images in colonial archives, magazines, Tumblr, eBay, Renaissance paintings, B…
Of Shadows. Sandra Mujinga
Time as a passage. History as landscaping. Society as malaise. Bodies as construction sites. Language as technology. Nature as not…
SCAD Museum: Disrupting the White Cube
At the Savannah College of Art and Design’s Museum of Art, curators will agree that the Pamela Elaine Poetter Gallery…