Heidi Bucher "Metamorphoses I" Kunsthalle Bern

When the word skin is verbalized — to skin — the associations with this outer layer of the body start…
When the word skin is verbalized — to skin — the associations with this outer layer of the body start…
Artists at Risk (AR) is a non-profit organization at the intersection of human rights and the arts, with a mandate…
One is a critic because one has never felt affirmed (Barbara Kruger never speaks in the third person). There is…
The eightieth iteration of the Whitney Biennial is subtitled “Quiet as It’s Kept,” an expression curator Adrienne Edwards remembers her…
Some might consider Marguerite Humeau’s artistic trajectory unconventional. Coming to art via design, she first studied textile design in France,…
As of late, “prescient” has become the preferred modifier for artist, Tishan Hsu. Indeed, as framed by the recent retrospective…
Hidden stories and marginal narratives have attracted Wu Tsang throughout her artistic career. The belief that history is nothing but…
Plank Piece I and II (1973), a black-and-white photographic diptych showing the young Charles Ray’s body pinned against the wall…
When Michael Fried published his notorious essay “Art and Objecthood” (1967), he likely did not expect “theatricality” to become such…
My first introduction to Berenice Olmedo’s work, which encompasses sculpture, performance, and installation, was a photo of the artist dressed…
My father recently told me how he often walks around the house opening doors and gazing into empty rooms. He…
When I think back on 2018 there is always something that feels misaligned — a disconnect between myself and the…
I usually say that an exhibition is not a book on the walls. For once, I was wrong. Zoe Leonard’s…