Matthew Lutz-Kinoy Le Consortium / Dijon
Matthew Lutz-Kinoy’s solo exhibition at Le Consortium conflates two places far away in time and space: New York’s Frick Collection,…
Matthew Lutz-Kinoy’s solo exhibition at Le Consortium conflates two places far away in time and space: New York’s Frick Collection,…
“Zoe Leonard: Survey” at the Whitney Museum of American Art is the artist’s first retrospective in a major American museum.…
An Occupation of Loss, artist Taryn Simon’s first performance work, was commissioned by Park Avenue Armory New York and Artangel…
The inaugural Cruising Pavilion sits an additional boat ride away from the main happenings of this year’s Venice Architecture Biennale,…
For Belgian-born literary theorist Paul de Man, semiotics freed literary theory from not just an obligation to portray truth, but…
It’s nice to think that Oliver Laric wasn’t behind any of the art in his solo exhibition “Year of the…
Young architects seeking to work against architecture’s stagnancy seem to be more engaged with producing exhibitions and publications than buildings. Most clients rarely venture…
John Everett Millais’s Autumn Leaves, displayed at the Royal Academy in 1856, was understood as a radical departure from normative…
Dance Office is a column dedicated to contemporary dance and performance art. Transmissions is the outcome of Nick Mauss’s time…
The following is an excerpt from the catalog Robert Indiana: Monumental Woods, published on the occasion of the opening of the…
The recommendations streamed in before my ferry even docked on Randall’s Island. “The food-in-a-jar at Tyme is terrible.” “It’s nice…
In the aftermath of organizing an unrealized exhibition at artist-run institution Odium Fati in San Francisco, K.R.M. Mooney offers a…
Movie Night is a column exploring contemporary film semiotics and thoughts about moviegoing in general. “How you live your life…
In Theses on the Philosophy of History, Walter Benjamin describes Paul Klee’s Angelus Novus (1920) moving backwards: “His face is…
By 2026, more than sixteen thousand millionaires are expected to call Monaco their home (according to Knight Frank’s 2017 Monaco…
In what is the artist’s stateside debut, staged at Kavi Gupta, painter Manuel Mathieu presents a new body of work…