COVER → Rebecca Horn, Paradise Widow, 1975. Photography by Rebecca Horn. © 2019 Rebecca Horn by SIAE 2019.
ON VIEW → International exhibitions selected by ◯ Antonia Alampi, Artistic co-director of SAVVY Contemporary and co-curator of Sonsbeek 2020–24 ◯ Roselee Goldberg, Founding director and chief curator of Performa, New York ◯ Chus Martinez, Head of the Institut FHNW, Basel and expedition leader of TheCurrent, TBA21–Academy
FEATURES → ◯ When You Mix Something, it’s good to know your Ingredients. Modes of Addressing and Economies of Attention in the Visual and Performing Arts by Dorothea Von Hantelmann ◯ Image, performance, protest by Isobel Harbison ◯ “I’m nothing, I’m no one, I’m everyone, I’m dead!” Aria Dean in conversation with Andrea Bellini ◯ Negative Space, Objects in the Absence of Performance Ryan Josey in conversation with Brendan Fernandes ◯ Dossier: Rebecca Horn ◯ The (In)Animate World of Rebecca Horn by Lynette Roth ◯ “Body Fan 2” by Rebecca Horn Originally published in Flash Art Germany no. 46 – 47 June, 1974 ◯ Art that is waiting to make your acquaintance by Marlise Grüterich + Statements by Rebecca Horn Originally published in Flash Art International no. 74 – 75 May / June, 1977 ◯ Jimmy Robert: Reworking Performativity by Eleonora Milani ◯ Apertures of Queer Prophecy. Alex Baczynski-Jenkins’s Such Feeling by Sam Dolbear ◯ Fantasies and Dissonance: A Conversation with Anne Bean by Maria Elena Buszek + Are You a Feminist? Anne Bean (2014) in conversation with Anne Bean (1973) ◯ Marta Minujín’s The Parthenon of Books: A Living Elevation of Social and Cultural Relations by Pierre Bal–Blanc
REVIEWS → ◯ 15th Biennale Lyon ◯ Elaine Cameron-Weir ◯ Nayland Blake ◯ Vincent Fecteau ◯ Kara Walker ◯ Michael E. Smith ◯ Sidsel Meineche Hansen ◯ Liz Magor ◯ Len Lye ◯ Marguerite Humeau ◯ Dirk Braeckman ◯ Wu Tsang ◯ Nora Turato ◯ Luke Ching Chin Wai, Liquefied Sunshine / Force Majeure ◯ Emily Mae Smith ◯ False Spaces