Flash Art #316 September – October 2017
FEATURES → ◯ From Pygmalion to Ping Body by Edward A. Shanken ◯ Age of Hybrids / Ian Cheng by Sandro Weilenmann ◯ Al through the Technologist’s Eye / Mario Klingemann by Luba Elliott ◯ Guilty Memory of the Future by Katherine Cross ◯ No Safe Mode / Sondra Perry by Nora N. Khan ◯ Immigration Made Easy by Sam Lavigne ◯ When the Painter Learned to Program / Harold Cohen’s AARON by Alex Estorick ◯ Computer Visions by Eli Diner ◯ All Systems Go / Lawrence Lek by Anya Harrison ◯ Homebrew Computer by Jenna Sutela ◯ Who Cares if You Listen: the Algorithm at 100 by Steve Kado ◯ Conceiving Autonomy / Lynn Hershman Leeson by Elvia Wilk ◯ Closed Circuits and Echo Chambers / Cécile B. Evans by Katharina Weinstock ◯ Automating Aesthetics by Lev Manovich ◯ Frontier Fears / Gerfried Stocker by Alex Estorick
REVIEWS → ◯ Louise Lawler MoMA/New York ◯ Sidsel Meineche Hansen Ludlow 38/New York; “In Search of Expo 67” Musée d’art contemporain/Montreal ◯ Marisa Merz Hammer Museum/Los Angeles ◯ Camille Blatrix Bad Reputation/Los Angeles ◯ Manuel Solano Karen Huber/Mexico City ◯ Mathis Gasser Chewday’s/London ◯ Richard Serra Museum Boijmans/Rotterdam ◯ Win McCarthy Silberkuppe/Berlin ◯ Jenny Holzer Hauser & Wirth/Zurich ◯ Beatriz González Peter Kilchmann/Zurich ◯ Cerith Wyn Evans Marian Goodman/Paris ◯ Haroon Mirza LiFE/Saint-Nazaire ◯ Nick Mauss Serralves Museum/Porto ◯ “TV 70” Fondazione Prada/Milan ◯ “Moscow Diaries” MMOMA/Moscow ◯ “Canton Express” M+ Pavilion/Hong Kong ◯ Patty Chang Bank/Shanghai