Wilfredo Prieto kurimanzutto / Mexico City
Wilfredo Prieto’s work is usually read as following in the footsteps of American and European Minimalist art of the 1960s…
Reviews
Yngve Holen Kunsthalle Basel
The security lines at American airports this summer are expected to last hours, oil prices are down, ticket prices are…
Public Fiction MOCA storefront / Los Angeles
“The Poet and the Critic, and the missing,” curated by Public Fiction, forms a running commentary on MOCA’s permanent collection…
Jordan Wolfson David Zwirner / New York
Nightmares are just as distressing for their familiarity as they are for feeding obscure terrors. More common in children than…
Jorge Macchi MALBA / Buenos Aires
Jorge Macchi’s fortuitous encounters are well known: two toy cars intersect in the cross-like shadow of a window; more cars…
Samara Golden Yerba Buena Center for the Arts / San Francisco
In Samara Golden’s “A Trap in Soft Division,” her largest exhibition to date, the cyclical confinement of the present moment…
DAS INSTITUT Serpentine Sackler Gallery / London
Throughout DAS INSTITUT’s latest self-titled show, currently at the Serpentine Sackler Gallery, the body is suggested, performed, dissected and expanded…
Guy de Cointet Culturgest / Lisbon
When Paul Valéry viewed Stéphane Mallarmé’s poem “Un coup de dés jamais n’abolira le hasard” for the first time, he…
Nervous Systems Haus der Kulturen der Welt / Berlin
“Nervous Systems: Quantified Life and the Social Question” is about the manifold nature of human activity, specifically in terms of…
Tobias Madison & Matthew Lutz-Kinoy MoMA PS1 / New York
The flap of a butterfly’s wing in one location — or so the theory goes — may bring about a…
Jessi Reaves Bridget Donahue / New York
Anyone Knows How It Happened (Headboard for One) (2016), is the most formally straightforward work in Jessi Reaves’s solo exhibition…
Dadaglobe Reconstructed Kunsthaus / Zurich
Cutting across national borders erected in the aftermath of World War I, Tristan Tzara’s publication Dadaglobe was to be the…
Laura Poitras Whitney Museum of American Art / New York
Against a backdrop of escalating public-private turf wars and ever louder questioning of who owns the data associated with everything…
Andrew Birk Anonymous Gallery / Mexico City
Painting in its most classical form is Andrew Birk’s most direct and definitive reference in his recent, large-scale, fully immersive…
Justin Swinburne Michael Thibault / Los Angeles
The very beginnings of something and the debris from its demise can seem interchangeable — perhaps most especially when that…
De toi à la surface frac île-de-france, le plateau / Paris
Thérèse the Philosopher (1748) is an anonymous text that the Marquis d’Argens described as “so filthy that even a seasoned…