Biennale de l’Image en Mouvement 2018 Centre d’Art Contemporain / Geneva
A few days before the opening of the Biennale de l’Image en Mouvement in Geneva in November 2018, I came…
A few days before the opening of the Biennale de l’Image en Mouvement in Geneva in November 2018, I came…
The incursion of fashion designers into other creative realms frequently invokes dismissiveness or derision, especially when the designer is young.…
Fitting with the artist’s background in technical fashion drawing, Caitlin Keogh’s paintings are done in a delicious palette of mauve,…
Perhaps it is because you are on the tenth floor — high above the bustle, hot dog vendors, flashing toddler…
It is true: the grass is always greener on the other side. But the question remains: Just what is it,…
For his exhibition “Drummen” at Office Baroque, Terence Koh covered the floor of the gallery in soil, and placed eighty-eight…
It doesn’t take a native speaker to know there’s something amiss in Maia Ruth Lee’s new film The Stranger (all…
Back in 2015, Super Dakota’s exhibition “.GIF” highlighted the creative and artistic potential of the Graphics Interchange Format, a bitmap…
Conspiracy has always existed, but it inundated the mainstream in the US only after the Second World War. Its rise…
The work of Helen Cammock (b. 1970, London) revolves around a specific undertaking: “encouraging the return of the repressed,” to…
Aslı Çavuşoğlu’s first US solo museum exhibition culminates in an immense blue fresco that subsumes the New Museum’s lobby gallery.…
Jazz musician and interdisciplinary artist Jason Moran foregrounds collaboration as integral to both music and visual artmaking in his first…
David Reed’s works seem bizarre in our present moment, but what’s here cannot be dismissed, consistently compelling a deeper return.…
“Tryouts for the Human Race” is Max Hooper-Schneider’s second solo show at Jenny’s — and a 1979 proto-disco song by…
Rebecca Belmore tackles complex political themes with a daring economy of means. Canada’s shameful record of missing and murdered indigenous…
“Silence is the master,” says a voice translating from Arabic to English in Lawrence Abu Hamdan’s Saydnaya (the missing 19db)…