Alice Channer "Megaflora" Large Glass / London
The surfaces of Alice Channer’s sculptures actualize both evidence and emergence: evidence in their exposure of polyphonic, contaminating processes; and…
The surfaces of Alice Channer’s sculptures actualize both evidence and emergence: evidence in their exposure of polyphonic, contaminating processes; and…
Joey Holder’s exhibition complicates the concept of a “net-zero carbon” economy by which corporations can offset their carbon footprint. Current…
At first blush, the wound appears amoeboid. Afloat in decontextualized, atemporal amber, its charred kohl perimeter the blackness of clotting.…
At the turn of the millennium, Guillaume Dustan was a spark plug of queer issues. His autofictional debut novel made…
David Hammons’s “body prints,” his early works on paper, are a groundbreaking series that launched the artist’s career. The technique…
In the group exhibition “Homecoming: The Aesthetic of the Cool” — which presents the work of three Ghanaian portraitists, Otis…
The semiotics of the color green are not always immediately understandable. For all its cross-cultural signifiers — as a marker…
A good novel can give one a feel for an idea as if it were a flesh-and-blood person. In this…
In this seductive two-person show, taking its cue from John Berger’s 1971 essay “Field,” two artists working in seemingly different…
In recent years, border traffic between contemporary art and new media has done little more than inject periodic shots of…
Shota Nakamura’s latest works are a celebration of abundant, queer rest. Languid men lie prone in all but two of…
One of the biggest hindrances of institutionally packaged and formatted creative work is the tension between producer and spectator —…
Lucio Fontana’s creed “Art is eternal as gesture, but not as matter” echoes throughout Eli Ping’s show “BONE” at Ramiken.…
It’s a fairly straightforward affair: in Hulda Rós Guðnadóttir’s exhibition at the Reykjavik Art Museum, we see a three-channel video…
A haunting liquidity permeates Ser Serpas’s first solo exhibition at LC QUEISSER in Tbilisi, Georgia. Titled “Guesthouse,” it is a…
Enter Paradise features an ensemble of ten portrait paintings, unveiling black females as central figures, in a state of rest,…