The manner of autoreduction that Dora Budor has applied to the processuality of her “solo” exhibition in the project space…
When I met Cudelice Brazelton for a coffee a few months ago, he was carrying a copy of Sin (1986)…
Has the pandemic helped us to understand that we share this world? The air, the aerosols, the bacteria, the viruses?…
In the summer moments closest to the solstice, I think nothing of the sunlight stretching on. During the deepest recesses…
Ingeborg Bachmann’s Malina opens with a clear delineation — “Time: Today; Place: Vienna” — before commencing, “But I had to…
Initially trained with a degree in literature, the French-Algerian artist Tarek Lakhrissi identifies as both an artist and poet, and…
Upon reading the title, I was sure the exhibition would reflect on contemporary conspiracy narratives. But it dives much deeper…
Lucky reinterpretations do exist. In one of his best-known texts, Walter Benjamin describes Paul Klee’s Angelus Novus (1920) in the…
The allegorical Danse Macabre from the Middle Ages expresses Death’s equalizing power over humanity: in the end, everyone has to…
Four identical postcards displayed in the gallery’s entryway bear the stamped, enigmatic phrase “I GOT UP AT,” followed by the…
A fine-grained texture permeates Oto Gillen’s photographs of New York City, as if the psychic friction of eight and a…
All for the little nature of water lilies, Claude Monet developed a portion of land and diverted a narrow arm…
The exhibition “Alice Neel: People Come First” at the Metropolitan Museum of Art is the first New York museum retrospective…
“Hartung 80” is the third exhibition that Perrotin has devoted to Hans Hartung — following those held in New York…
I was once told by a nurse, “If there is a pill for it, take it.” I was a teen…
The song “In My Room,” after which Hannah Quinlan and Rosie Hastings have titled their debut institutional show — a…