Feature

27 April 2015, 7:05 pm CET

Alfredo Volpi

April 27, 2015
Untitled (Bandeirinhas) (1970s)
Untitled (composiçao com mastros) (Late 1960)
Untitled (composiçao com mastros) (Late 1960).

 

Untitled (Facade) (Early 1950s)
Untitled (Facade) (Early 1950s).

 

Untitled (Early 1960s)
Untitled (Early 1960s).

 

Untitled (Facade) Early 1950s)
Untitled (Facade) (Early 1950s).

 

Untitled (Bandirinhas e mastros) (Late 1970s).

 

Untitled (Interior de Igreja e Anjos) (1954)
Untitled (Interior de Igreja e Anjos) (1954).

 

Ogiva (1970s)
Ogiva (1970s).

 

Untitled (Early 1960s)
Untitled (Early 1960s).

 

Untitled (Bandeirinhas) (1970s)
Untitled (Bandeirinhas) (1970s).

 

Untitled (Laços) (1972)
Untitled (Laços) (1972).

Courtesy of Bergamin, São Paulo

Find more stories

Accomplished Things

Bruno Dunley: When I first started to think about this conversation, it occurred me that a common ground I perceive…

Read More

The Arts and the Multitude

If São Paulo’s contemporary art production is, for the moment, mainly centered on exhibition programs within a sprawling network of…

Read More

Her Other Selves

For over a decade, Anna Maria Maiolino has produced a series of sculptural objects called Outros (Others, initiated in 2000).…

Read More

Ana Prata

Over the past thirty years, many critics have become used to evaluating the work of painters by their level of…

Read More