British Art Show 6
Photography by Nick David. Opening with an immaculate installation of restrained works by Claire Barclay, Enrico David and Tonico Lemos…
Magazine Articles
My Barbarian
My Barbarian’s newest showcore rock opera is a tragicomedic farce offered in the tradition of classical Athenian plays performed at…
Felix Gonzalez-Torres
The following interview originally appeared in Flash Art International No. 161 (November-December 1991) and was conducted by Robert Nickas, an…
L.A. Street Style
Last year I was brainstorming with Jeffrey Deitch about a possible exhibition at his gallery in New York. The show…
Tim Hawkinson
Last year, an overdue first survey exhibition of the work of Los Angeles-based artist Tim Hawkinson — co-organized by the…
Eve Sussman
Eve Sussman’s 89 Seconds at Alcazar premiered at the 2004 Whitney Biennial. The film is a restaging of Velasquez’ Las…
The City of Angels
Mapping the visual arts landscape of the City of Angels is a wild ride into an entrepreneurial heaven. Because the…
Damián Ortega
Damián Ortega makes sculpture with different techniques and materials, and with a special interest in creating ‘new engineering’ for preexistent…
Katarzyna Kozyra
When, at the 1999 Venice Biennale, Katarzyna Kozyra received an honourable mention for her video installation Men’s Bathhouse, a work…
Fernando Renes
Fernando Renes built his ‘plateau’ under acres of sky with an unbroken flow of images and an awareness of his…
Dorothy Iannone
Maurizio Cattelan: How old are you? Dorothy Iannone: Seventy-two. MC: What was the first thing you did that you consider…
Anri Sala
Stefano Boeri: Let’s start from the notion of editing. What is interesting in this show in Milan [organized by Trussardi…
Jordan Wolfson
Originally published in Flash Art International no. 247 March-April 2006 This year’s Whitney Biennial includes a film by Jordan Wolfson…
Martin Kippenberger
From Flash Art International No. 156 January-February 1991 Jutta Koether: We ought to talk about the work you’ve produced in…
Neue Berliner Funky
The art world’s recent infatuation with German painting has distracted attention from the emergence of a group of artists contributing…
Gianni Motti
Marco Scotini: To begin with, it’s usually necessary to start from an origin. Yet with you this is not possible.…