Maison Margiela Artisanal Apparel – Photography by Rudi Williams
NewCostume is a column by Matthew Linde exploring contemporary fashion practice. Episode I: a visual essay by photographer Rudi Williams…
Magazine Articles
Donald Judd “Judd” MoMA — Museum of Modern Art / New York
Donald Judd’s first retrospective in the US in more than thirty years — titled simply “Judd” — presents seventy of…
Sean Landers The Consortium Museum / Dijon
Sean Landers’s scrawl is the way into his peppery worldview: his forty-painting retrospective at Le Consortium often doubles as a…
“MECARÕ. Amazonia in the Petitgas Collection” MO.CO. Montpellier Contemporain
“MECARÕ. Amazonia in the Petitgas Collection” at MO.CO. is the first institutional presentation of Catherine Petitgas’s collection. Forward-looking and versatile,…
Emily Mae Smith: A Broom of One’s Own
Fresh, febrile, shot through with humor and glamour, the paintings of Emily Mae Smith are reliquaries of art history and…
Annie Fletcher / Director of IMMA – Irish Museum of Modern Art, Dublin
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Lygia Clark “Painting as an Experimental Field, 1948–1958” Guggenheim Museum / Bilbao
Anyone who spends time with young artists is familiar with the changes they experience during their first years working. This…
Wolfgang Tillmans “Today is the First Day” Wiels / Brussels
“Today is the First Day” is Wolfgang Tillmans’s first monographic exhibition in Belgium. With works covering a period from the…
GO, DADDY!
Issy Wood, GO DADDY!, 2020. Visual project for Flash Art.
Daniel Baumann / Director of Kunsthalle Zurich
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Sarah Lucas “HONEY PIE” Sadie Coles HQ / London
Take the song “Honey Pie” by the Beatles and turn it into a string quartet — that would be the…
Episode I: An Introduction
On Monday, March 2nd, while having breakfast at the Hotel Albert 1er in Toulouse before running the workshop “Exposition collective…
Jenna Sutela “NO NO NSE NSE” Kunsthall Trondheim / Norway
It’s no small feat that the recently appointed director of the Kunsthall Trondheim, Stefanie Hessler, lured one of the most…
Laura Owens House of Gaga / Mexico City
To realize her site-specific installation at House of Gaga, Laura Owens locked herself up in the gallery with her assistants…
Arte Povera 1967-1987. An Indirect continuity runs down through Antiform and Arte povera to intertextuality and the "weak" relativistic subject of the 1980s
Originally published in Flash Art International no. 137 November-December 1987 Among the many histories of Italian art in the…
In memory of Germano Celant: Arte povera. Notes on a guerrilla war
Flash Art mourns the loss of Germano Celant, critic, curator, theorist of the term “Arte povera”, of which the manifesto…