Marina Pinsky “Four Color Theorem” C L E A R I N G / Brussels
The title of Marina Pinsky’s fourth exhibition at C L E A R I N G Brussels is taken from…
The title of Marina Pinsky’s fourth exhibition at C L E A R I N G Brussels is taken from…
Hito Steyerl’s work The Tower takes its name from a real-life endeavor so bizarre it had to be made into…
The great exodus has begun. Lockdown 2020 ensures reverse migration will be the death knell of dense urbanism. City life…
In a 1966 film directed by Lane Slate and Alan R. Solomon, Jim Dine, with a downward gaze and the…
Lines and pores, palms and fingertips. A scene of swirling galaxies and black holes evinced by the body of nature…
Rosie Lee Tompkins — the pseudonym of Effie Mae Howard — was a textile artist born in rural Arkansas and…
This solo exhibition by Isa Melsheimer is also KINDL’s first show under new artistic director Kathrin Becker, who joined the…
Billy Childish, whose works were exhibited in Seoul Hyundai Gallery for the first time in 2012, has now mounted a…
The first institutional solo show of Los Angeles–based artist Ann Greene Kelly is marked by a cryptic atmosphere. The exhibition…
It is not concept but harmony that makes Kris Martin’s work compelling. Where ideas fall short, material and language come…
Donald Judd’s first retrospective in the US in more than thirty years — titled simply “Judd” — presents seventy of…
Sean Landers’s scrawl is the way into his peppery worldview: his forty-painting retrospective at Le Consortium often doubles as a…
“MECARÕ. Amazonia in the Petitgas Collection” at MO.CO. is the first institutional presentation of Catherine Petitgas’s collection. Forward-looking and versatile,…
Anyone who spends time with young artists is familiar with the changes they experience during their first years working. This…
“Today is the First Day” is Wolfgang Tillmans’s first monographic exhibition in Belgium. With works covering a period from the…
Take the song “Honey Pie” by the Beatles and turn it into a string quartet — that would be the…