Making it Together Laure Prouvost's Eathbound Commons

The first experience of Laure Prouvost’s work can be unforgettable. For me it was marked by her voice, heard shouting…
The first experience of Laure Prouvost’s work can be unforgettable. For me it was marked by her voice, heard shouting…
Once a caesura is opened, it never really closes. In the practice of Ghislaine Leung (b. 1980, Sweden), these disruptions…
Moroccan-French artist Yto Barrada knits together family histories and broader sociopolitical narratives through works that employ photography, film, installation, sculpture,…
Shu Lea Cheang has lived a number of different lives: as a queer media activist, a cyberpunk filmmaker, and an…
In his extensively discussed essay “Of Other Spaces,” Michael Foucault suggests that the present epoch is above all the “epoch…
We’re going to the window to look outside. That’s always more fun than learning to read on lips things that,…
“A screen is fundamentally an architecture of psychic transfer and tracing. It is also a space haunted by the maternal.” —…
At the Centre d’Art Contemporain in Geneva, Tamara Henderson’s kinetic sculptures Sun Spider, Nomad, Sound Shepherd, Language of Mud, and…
We stand in solidarity with all black communities around the world. In the past years, Flash Art has been inviting various artists, thinkers and writers to rewrite or rethink the idea of blackness. Our “Editors Choice” does not aim to dictate an exhaustive or comprehensive list of writings but is an act of solidarity, which aims to contribute to the distribution of art thinking on blackness, and a way in which we can support the movement. Good reading!
If you Google image “figural,” you’ll see thousands of images of Disney keyring dolls, mostly made of foam. Since abandoning…
Cuban artist Tania Bruguera’s installation “10,142,926” takes over Tate Modern’s Turbine Hall this fall with a series of works and…
Fanta Sylla: Ever since the publication of Maggie Nelson’s The Art of Cruelty: A Reckoning in 2011, I have yearned…
The modern history of painting is framed by narratives of artists struggling to undercut its representational character as art’s most…
I first saw Judy Chicago’s Birth Trinity (1983) and Birth Tear/Tear (1982) when visiting the artist’s studio in Belen, New…
Antek Walczak advances the medium of painting as a kind of machine through which social, economic, political, and technological systems…
Judy Chicago had been Judy Chicago for five years when she published her autobiography Through the Flower: My Struggle as…