Paloma Polo
Emma Brasó: In your photographs, videos and installations there is a psychological analysis of perceptions. As an artist, how do…
Brand New
Dor Guez
“I’m interested in these social junctions where art meets culture, history and politics,” explains Dor Guez. Defining his artistic practice…
Cinthia Marcelle
Júlia Rebouças: How did you begin to define your current practice? Cinthia Marcelle: I think it was during an artist…
Dane Mitchell
Mercedes Vicente: After two busy years in Berlin and New York you returned to New Zealand for a residency at…
Anne-Julie Raccoursier
“Loop Line,” Anne-Julie Raccoursier’s exhibit at the Kunsthaus Langenthal, starts with a series of soap bubbles that lead to a…
Marcius Galan
Fernanda d’Agostino: Geometry, visual perception, geographic space, economics and sound propagation are some of the subjects of your work. Where…
Alexander Heim
The Great Plastic Vortex (2011), a work Alexander Heim presented at Art Basel’s “Art Statements” last June, refers to a…
Mark Barrow
Nicola Trezzi: How important is the process in your work? Mark Barrow: The process is as important as any…
Zak Prekop
Daniel Byers: Can you talk about the idea of absence in your work? There are often gaps (which repeat as…
Vladimir Nikolic
Maja Ćirić: Where do you see yourself “at home” in the art world? Vladimir Nikolic: “Home” is not stable in…
Nick van Woert
Julie Boukobza: Hey Nick, so how come you’ve never been to DIA:Beacon? Nick van Woert: There’s more to learn from…
Danna Vajda
David Everitt Howe: For the exhibition “Short Stories” at the Sculpture Center you presented, in part, paintings of .jpeg images…
Stefanos Tsivopoulos
Marco Scotini: Your last video works, from Untitled (The Remake) (2007) through to the beautiful Amnesialand presented at Manifesta 8,…
Virginia Overton
Tim Saltarelli: Your sculptural works employ an economy of materials, repurposing furniture, tools and building materials, often held in a…
George Henry Longly
Wendy Vogel: You included a Diptyque candle in the exhibition “Glaze” that you curated at Bischoff/Weiss, appropriating this understated “signifier…
Jeremy Shaw
Klaus Biesenbach: Your visual arts career is your second successful profession. Why did you decide to not pursue your promising…