Dana Schutz: Weathering the Storm
“How do you begin to depict a feeling?” wonders Dana Schutz, articulating a central problem that drives her artistic practice.1…
330 April-May 2020
Keeping it Alive: Oscar Murillo
Who better to interrogate the inherited habits of modernism, in so far as they continue to shape painting, than Oscar…
Benjamin Piekut / Associate Professor of Music at Cornell University, New York
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Ann Greene Kelly ICA / Los Angeles
The first institutional solo show of Los Angeles–based artist Ann Greene Kelly is marked by a cryptic atmosphere. The exhibition…
Kris Martin “EXIT” S.M.A.K / Ghent
It is not concept but harmony that makes Kris Martin’s work compelling. Where ideas fall short, material and language come…
COMPOSITIONAL MACHINES. Seeking an endgame or a new beginning, Avery Singer explores what it means to dream of painting without the hand
Transfixed by a trio of Avery Singer works under the diffused glow of the Frieze Los Angeles tent, I was…
Alaina Claire Feldman / Director and Curator at Mishkin Gallery, City University of New York
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Maison Margiela Artisanal Apparel – Photography by Rudi Williams
NewCostume is a column by Matthew Linde exploring contemporary fashion practice. Episode I: a visual essay by photographer Rudi Williams…
Donald Judd “Judd” MoMA — Museum of Modern Art / New York
Donald Judd’s first retrospective in the US in more than thirty years — titled simply “Judd” — presents seventy of…
Sean Landers The Consortium Museum / Dijon
Sean Landers’s scrawl is the way into his peppery worldview: his forty-painting retrospective at Le Consortium often doubles as a…
“MECARÕ. Amazonia in the Petitgas Collection” MO.CO. Montpellier Contemporain
“MECARÕ. Amazonia in the Petitgas Collection” at MO.CO. is the first institutional presentation of Catherine Petitgas’s collection. Forward-looking and versatile,…
Emily Mae Smith: A Broom of One’s Own
Fresh, febrile, shot through with humor and glamour, the paintings of Emily Mae Smith are reliquaries of art history and…
Annie Fletcher / Director of IMMA – Irish Museum of Modern Art, Dublin
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Lygia Clark “Painting as an Experimental Field, 1948–1958” Guggenheim Museum / Bilbao
Anyone who spends time with young artists is familiar with the changes they experience during their first years working. This…
Wolfgang Tillmans “Today is the First Day” Wiels / Brussels
“Today is the First Day” is Wolfgang Tillmans’s first monographic exhibition in Belgium. With works covering a period from the…
GO, DADDY!
Issy Wood, GO DADDY!, 2020. Visual project for Flash Art.