A Painting That Says No . Olivia van Kuiken
Olivia van Kuiken once said: “A painting is incapable of telling time. It’s a static image.”[1] That line keeps tolling…
Olivia van Kuiken once said: “A painting is incapable of telling time. It’s a static image.”[1] That line keeps tolling…
Olivia van Kuiken once said: “A painting is incapable of telling time. It’s a static image.”[1] That line keeps tolling…
Much recent critical theory has been concerned with the following proposition: that although the triumph of reason claims to have…
How do you put a finger on Lutz Bacher? Contemplating this, I walked toward Astrup Fearnley through a pocket of…
352 FALL 2025, Unpack / Reveal / Unleash
In the myth of Eros, the god of love and desire emerged from Chaos in the beginning of life itself…
351 SUMMER 2025, Unpack / Reveal / Unleash
On the Greek island of Tinos, centuries-old dovecotes — white stone towers originally used to harvest pigeon droppings as fertilizer…
350 SPRING 2025, Unpack / Reveal / Unleash
Kelsey Isaacs’s shower floor is home to a sculptural tableau that quite literally sets the stage for a practice in…
349 WINTER 2024-25, Unpack / Reveal / Unleash
One image, slid. Something like cleavage, crumpled, diminishes into the groin. One image, synthesized. She is hard, interstice furling interstice,…
UNIVERSALITY NOW AND HOW WE GOT PARTICULAR Threats to the security, freedom and dignity of life today from global ecological…
Features, VOLUMES - Crisis Formalism
Almost nothing is too much. – Reyner Banham, 19621 It is not uncommon to hear that architecture today has dissolved,…
Michael Abel: First question — how does Volumes begin? Luigi Alberto Cippini: What I tried to do, within my limitations, was to make something…
Features, VOLUMES - Crisis Formalism
Carlo Antonelli: Who are these people, the ones that populates your works? Kai Althoff: They accumulate. Some return more often…
Plans are always copy-pasted. There is no planning, no imagination. Seoul is not built; it is generated through calculation. Buildings…
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
“It did what all ads are supposed to do: create an anxiety relievable by purchase.” – David Foster Wallace, Infinite…
“You see the eastern critics and historians that assigned Chicago the place of the skeleton frame, thereby, you know, together…
A Painting That Says No . Olivia van Kuiken
The Space Between. Adam Patrick Grant
“to ignite our skin” / SculptureCenter, New York
Skin, Cloth, Paper, Snow. A Conversation with Ruoru Mou
On Language and Kitsch. Tasneem Sarkez
Zora Sicher, Geography
Basel Abbas and Ruanne Abou-Rahme, “Prisoners of Love: Until the Sun of Freedom” / Nottingham Contemporary
Lutz Bacher, “Burning the Days “ / Astrup Fearnley Museet, Oslo