A Painting That Says No . Olivia van Kuiken
Olivia van Kuiken once said: “A painting is incapable of telling time. It’s a static image.”[1] That line keeps tolling…
A Painting That Says No . Olivia van Kuiken
Olivia van Kuiken once said: “A painting is incapable of telling time. It’s a static image.”[1] That line keeps tolling…
“to ignite our skin” / SculptureCenter, New York
Much recent critical theory has been concerned with the following proposition: that although the triumph of reason claims to have…
Lutz Bacher, “Burning the Days “ / Astrup Fearnley Museet, Oslo
How do you put a finger on Lutz Bacher? Contemplating this, I walked toward Astrup Fearnley through a pocket of…
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352 FALL 2025, Unpack / Reveal / Unleash
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In the myth of Eros, the god of love and desire emerged from Chaos in the beginning of life itself…
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On the Greek island of Tinos, centuries-old dovecotes — white stone towers originally used to harvest pigeon droppings as fertilizer…
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349 WINTER 2024-25, Unpack / Reveal / Unleash
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One image, slid. Something like cleavage, crumpled, diminishes into the groin. One image, synthesized. She is hard, interstice furling interstice,…
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Features, VOLUMES - Crisis Formalism
Almost Nothing
Almost nothing is too much. – Reyner Banham, 19621 It is not uncommon to hear that architecture today has dissolved,…
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Michael Abel: First question — how does Volumes begin? Luigi Alberto Cippini: What I tried to do, within my limitations, was to make something…
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Carlo Antonelli: Who are these people, the ones that populates your works? Kai Althoff: They accumulate. Some return more often…
Seoul: Glitch City
Plans are always copy-pasted. There is no planning, no imagination. Seoul is not built; it is generated through calculation. Buildings…
Zurich: Peripheral Presence.
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
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“It did what all ads are supposed to do: create an anxiety relievable by purchase.” – David Foster Wallace, Infinite…
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“You see the eastern critics and historians that assigned Chicago the place of the skeleton frame, thereby, you know, together…
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WINTER 2025-26
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A Painting That Says No . Olivia van Kuiken
The Space Between. Adam Patrick Grant
“to ignite our skin” / SculptureCenter, New York
Skin, Cloth, Paper, Snow. A Conversation with Ruoru Mou
On Language and Kitsch. Tasneem Sarkez
Zora Sicher, Geography
Basel Abbas and Ruanne Abou-Rahme, “Prisoners of Love: Until the Sun of Freedom” / Nottingham Contemporary
Lutz Bacher, “Burning the Days “ / Astrup Fearnley Museet, Oslo