Strauss Bourque-LaFrance Rachel Uffner / New York
Strauss Bourque LaFrance’s “No Aloha” at Rachel Uffner Gallery is a hallway that leads to a living room. Mesh screen…
Strauss Bourque LaFrance’s “No Aloha” at Rachel Uffner Gallery is a hallway that leads to a living room. Mesh screen…
How did you and your partner Nigel Dunkley meet? We were both running separate project spaces in Peckham, and because…
Until now, Chilean conceptualist Eugenio Dittborn has not been the subject of a solo exhibition in Europe. This fact is…
Typically you participate in biennials as an artist, not a curator. Do you see yourself taking on the latter role…
There is a tidal line between resistance and adaptation that we are all confronted with from childhood on. We always…
LA><ART will turn ten years old in 2015. How has your vision evolved since the foundation? We started in 2005…
Outside Emanuel Rossetti’s “Delay Dust” one might miss a text Georgia Sagri has inserted inside a small frame outside the…
This is the second edition of ART021. What do you expect from it? The scale of this year’s fair is…
David Benjamin Sherry returns to Salon 94 with “Climate Vortex Sutra” — a selection of his latest works in the…
Karen Kilimnik knows a good title, even when it comes to naming photographs: Heathrow Jewels describes the lights of Heathrow…
Wim Delvoye’s Flatbed Trailer (2007) of rusty steel filigree occupies the approach to the Yokohama Museum of Art, the main…
The discrepancy in scale or grandiosity of effect is remarkable. To travel as far west as the Getty, descend into…
The title of Tamás Kaszás’s project “The trench is not in fact as deep as the engineer calculated” comes from…
In the late 1970s, Kate Ericson and Mel Ziegler began making works structured by systematic processes in a world now…
As one of the most important artists of the twentieth and twenty-first centuries, the fundamental aspects of Franz West’s artistic…
Often exploring shifting spheres of identity, Henrik Olesen’s artistic practice has investigated queer subcultures to challenge the master narratives through…