Flash Art #327 September – October 2019
COVER → Luke Willis Thompson, Drawing for adjacency (image for Flash Art), 2019. Mixed media. Courtesy of the artist.
ON VIEW → International exhibitions selected by ◯ Rachel Adams, Chief Curator and Director of Programs at Bemis Center for Contemporary Arts, Omaha ◯ Anna Kerekes, Senior Curator at MoCo– Montpellier Contemporain ◯ Storm Janse van Rensburg, Senior Curator at Zeitz MOCAA, Cape Town ◯ Heidi Zuckerman, CEO and Director of the Aspen Art Museum, Colorado
FEATURES → ◯ A new aesthetic of conviviality by Monique Roelofs ◯ Curatorial Control by Pierre Bal-Blanc ◯ Adjacency: Luke Willis Thompson on Poethics of Care by Tina Campt ◯ Intervista (1996–2001) ◯ The Machinery of Identity: Candice Breitz by Kimberly Bradl ◯ Too Old to Die Young by William J. Simmons ◯ Sharing space: Meriem Bennani on Teleportation, Babycouple Adults, and Postcolonial Morocco by Olivian Cha ◯ When Body Horror Meets Fairy Tale: The Films of Marianna Simnett by Jane Ursula Harris ◯ Elysia Crampton: Beyond the Horizon of Coloniality by Sonia M. Garcia
REVIEWS → ◯ Whitney Biennial 2019 ◯ Olga Balema ◯ Landlord Colors ◯ Inner Ear Vision: Sound as Medium ◯ Yutaka Matsuzawa ◯ Lois Dodd ◯ Wong Ping ◯ Libita Clayton ◯ Lis Rhodes ◯ Les Chemins du Sud, une thèorie du mineur ◯ Geumhyung Jeong ◯ Thomas Hirschhorn ◯ Gelitin & Liam Gillick ◯ Homeland ◯ Andreas Angelidakis ◯ Tawan Wattuya ◯ Takahata Isao ◯ Tracey Moffatt