Jasmine Gregory “Si je ne peux pas l’avoir, toi non plus” CAPC – Musée d’art Contemporain de Bordeaux
The CAPC – Musée d’art Contemporain is contained in a cavernous converted nineteenth-century warehouse in Bordeaux. It is a fitting…
The CAPC – Musée d’art Contemporain is contained in a cavernous converted nineteenth-century warehouse in Bordeaux. It is a fitting…
Sheepish admission: despite living in an adjacent country, I’d never attended the Biennale di Venezia before, even though it’s a…
French psychoanalyst and psychiatrist Jacques Lacan traveled in circles that often overlapped with the art world. He mingled with its…
In Paul Verhoeven’s film Elle (2016), the main character, played by Isabelle Huppert, runs a gaming company. At a meeting,…
Influence, in the art world, is always fluid. “I copied Giotto,” Balthus acknowledges in a video while smoking at his…
The exhibition “Make Room” opens with a work titled Hysteria (2022) — featuring a cubist-faced figure wearing a striped-and-polka-dotted dress…
“There’s a lot of reciprocity between my lived life and my painting life,” Danielle Orchard notes, surveying her canvases at…
People want to see images that reflect their reality, but media distortions and the pace of digital technology have warped…
Robert Morris’s art is rooted in the corporeal: not only in its means of production — involving materials of heavy…
Sean Landers’s scrawl is the way into his peppery worldview: his forty-painting retrospective at Le Consortium often doubles as a…
“Project Iceworm” was a mid-twentieth-century mission undertaken — then abandoned — by the U.S. military to test nuclear missiles in…