K8 Hardy Reena Spaulings Fine Art / Los Angeles
Only six days before Donald Trump was revealed to have extolled the merits of grabbing women “by the pussy” as…
Only six days before Donald Trump was revealed to have extolled the merits of grabbing women “by the pussy” as…
While the materials employed by Virginia Overton in her second solo show at White Cube might appear disparate, they in…
When it opened in 1844, Reading Gaol was hailed as the pinnacle of prison design. Half a century later, its…
Empty lots, busy restaurants, silent houses and crowded garages: each a part of the landscape of southwest Detroit, and each…
Renaud Jerez has taken his biomorphic-cyborg-skeletons to their logical conclusion: he has given them a small world of their own.…
Ben Morea’s solo exhibition includes the paintings Machine Primitive I–III (1964). Glossy black house paint coats the entirety of the…
A spacious 18th century apartment in the heart of Turin’s historic center, overlooking the baroque Piazza Carignano, hosts the newly…
Andrea Büttner’s Los Angeles debut is in many ways a replica of the artist’s recent solo exhibitions at Kunsthalle Wien…
Integrating thirty-five years of production in painting, sculpture, drawing and pattern design, Nathalie du Pasquier’s survey charts an exercise in…
The shopping mall remains a favorite symbol for the forces of cultural homogenization known somewhat euphemistically as “Americanization.” (Fredric Jameson,…
In her second solo show at Mendes Wood DM, Paloma Bosquê presents a new set of three-dimensional works that suggests…
“Energy Flash,” the first museum show dedicated to rave culture, has an ambitious scope. It intends to consider the “social,…
In the words of Noé Martínez, the exhibition “Un acto antes de un concepto” (An Act Before a Concept) is…
Mario García Torres usually pillages the repertoire of 1960s Conceptual art with an array of reenactments, covers and appropriations, but…
Krakow’s MOCAK presents a gargantuan international show of everything we don’t want to see, telling us everything we don’t want…
Martin Creed’s solo exhibition at Hauser & Wirth Somerset is hard to contain. The result of a two-month residency at…