Tang Dixin
In a recent performance that took place in New York, in the context of last November’s Asia Contemporary Art Week,…
In a recent performance that took place in New York, in the context of last November’s Asia Contemporary Art Week,…
Christoph Doswald: Let’s begin with the simple things. Why do you paint without color? Drago Persic: Monochrome fascinates me. Blackness…
During the fall of 2015, Shanghai’s Power Station of Art hosted an exhibition titled “Calligraphic Time and Space: Abstract Art…
Carol Bove: Can we talk a little about this tree piece [from the series “Tree”] in your studio right now?…
Since his earliest contributions to the Arte Povera movement in the 1960s, Emilio Prini (b. 1943 in Italy; lives in…
The turn of the new century has seen Shanghai shake off decades of cultural torpor. Yet the current, widespread image…
On March 16, the National Art Center in Tokyo opens what will be the most comprehensive survey to date of…
Started in 1982, Kathe Burkhart’s ongoing “Liz Taylor Series” (consisting of about three hundred paintings, drawings and prints) has opened…
How to jump on the information superhighway bandwagon? The past couple of years have seen dozens of exhibitions dealing with…
Gesine Borcherdt: Your sculptures evoke the vocabulary of classic modernism: Constructivism, Suprematism, Minimalism — Aleksander Rodchenko, Kazimir Malevich, Robert Smithson.…
Christine Macel: Navid, I feel your practice is strongly embodied and rooted in the body. Navid Nuur: Yes, I work…
Alejandra Aguado: I would like to begin by asking you about the relationship of your work to literature. It is…
I often say that if I was ever invited to curate an exhibition, I would choose the topic 1965, the…
Mary Rinebold: Tell me about your preoccupation with donuts. Aki Sasamoto: The way I gather material is like going…
For Petrit Halilaj family bonds are important, especially because he has two families: one natural and one he defines as…
Emma Brasó: In your photographs, videos and installations there is a psychological analysis of perceptions. As an artist, how do…