Susan Hefuna
Who has the right to claim a place as home? How familiar is the foreigner, and where can he or…
Who has the right to claim a place as home? How familiar is the foreigner, and where can he or…
The imagination is the first luxury of a body that receives sufficient nourishment, of a person who has just a…
Brendan McGetrick: Your installation for The Unilever Series commission recently opened at the Tate Modern’s Turbine Hall in London. That…
Miriam Katz: I’d like you to talk about your surge of productivity over the past year. It seems like something…
To reflect upon an exhibition that took place over 40 years ago is a strange and salutary experience, and I…
Catherine Wood: I’m interested in your use of architectural forms as sculptural obstructions within the gallery space — thinking of…
1) What kind of services do you offer to your clients? 2) Which clients do you most often work with?…
Daniel Pitín: Mr. Merta, when we spoke together recently in my studio, I thrust upon you the idea that you…
Michele Robecchi: Mirroring surfaces seem to be a recurrent theme in your work. Karin Hueber: The different relations of views…
Nancy Atakan: Much of your work seems to be a type of narrative. How would you describe your art practice?…
Dominikus Müller: Your artistic practice often shifts towards cinema, more precisely towards the cinematic apparatus. Describe the relationship between art…
Annette Amberg: Your earlier films reflect on the relationship between the camera’s gaze, female protagonists and architectural spaces, as well…
Joanna Fiduccia: You have a work from 2008 entitled Von der Unmöglichkeit seiner eigenen Jugend treu zu bleiben… Nick Oberthaler:…
Will Benedict: In your works you seem to be creating a confluence between graphics and sculpture. How did a silkscreen…
Green, red, white and blue pipes running through the glass and metal body of the building; a red tubular escalator…
Reflecting on a decades-long affair with the ghostly portraiture that relentlessly crawled out of brash abstraction, Willem de Kooning remarked:…