Rachel Harrison
On my way to Rachel Harrison’s Brooklyn studio, I had one thing that I was going to bug her about:…
Magazine Articles
The Cinematic
Thirty years ago, Dan Graham proposed a plan for a movie theater that would immediately lay bare cinema’s social and…
Dexter Dalwood
In a 2010 interview with critic David Coggins, Dexter Dalwood points out that “History, just like art history, is a…
Isaac Julien: Ten Thousand Waves
Ten Thousand Waves, which received its world premier in May 2010 at the Biennale of Sydney, is Isaac Julien’s most-ambitious…
Tomasz Kowalski
Joanna Zielińska: The overall image in your works is governed by very specific rules. Motifs circulate and paintings — which…
Ján Mančuška
Vít Havránek: In your theoretical texts and live performances the artist is perceived as ‘Homo Politicus’ and political self-identification has…
Apichatpong Weerasethakul
Florence Derieux: You created your own production company, Kick the Machine, right at the beginning of your career in 1999,…
Julian Schnabel
Edward Rubin: Your current exhibition “Julian Schnabel: Art and Film” at the Art Gallery of Ontario in Toronto is quite…
Sensation
Artists and curators always display a sense of badly concealed pride when one of their exhibitions is chastised as ‘controversial.’…
Marcel Broodthaers
Elusive and recondite, Marcel Broodthaers was a poet for 20 years before he turned his efforts toward art production. His…
Ann Hamilton: Stylus
Ann Hamilton’s installations have often directly engaged their architectural surroundings; her most recent and “quietly” stunning project Stylus, a large-scale,…
Claire Hooper
Ian Hunt: Before Nyx (2010) you made Nach Spandau (2008), also made in the U-Bahn, Berlin’s metro. What is their…
Amanda Ross-Ho
Michael Ned Holte: When I visited your studio a few years ago, I remember being amazed by the filing system…
Huma Bhabha
Matthew Day Jackson: Do you think you are actively creating a unique formal structure for making sculpture, akin to Brancusi,…
Braco Dimitrijević
Hans Ulrich Obrist: I know that you started very early and were a wunderkind of sorts. So, I wanted to…
Taryn Simon
Jenny Schlenzka: In your work you keep tackling the idea of a shared reality and the possibility — or impossibility —…