Amanda Ross-Ho
Michael Ned Holte: When I visited your studio a few years ago, I remember being amazed by the filing system…
Magazine Articles
Huma Bhabha
Matthew Day Jackson: Do you think you are actively creating a unique formal structure for making sculpture, akin to Brancusi,…
Braco Dimitrijević
Hans Ulrich Obrist: I know that you started very early and were a wunderkind of sorts. So, I wanted to…
Taryn Simon
Jenny Schlenzka: In your work you keep tackling the idea of a shared reality and the possibility — or impossibility —…
Tadeusz Kantor
Tadeusz Kantor was a man of vivacious contradictions both politically and in his work, an artist who dramatized as well…
David Walsh
Jarrod Rawlins: David, you are opening a large private museum at the very bottom of Australia, some 16,000 kilometers from…
Fabio Mauri
I did my first interview with Fabio Mauri in 1989, when I was working on an essay about the art…
Haroon Mirza
Haroon Mirza assigns sound as much if not more weight than visuals. Inspired by Marshall McLuhan, who believed that mankind’s…
Scene Shifts
To make a thematic show is a difficult task. The risk of becoming didactic and obvious is around the corner.…
Gregor Gaida
Ingo Clauß: Where does your fascination with the human body come from? Gregor Gaida: What attracts me to the human…
Zeitgeist
The years was 1982, seven years before the fall of the Berlin Wall. Christos M. Joachimides, a Greek art historian,…
Tang Dixin
In a recent performance that took place in New York, in the context of last November’s Asia Contemporary Art Week,…
Drago Persic
Christoph Doswald: Let’s begin with the simple things. Why do you paint without color? Drago Persic: Monochrome fascinates me. Blackness…
Neo-modern Shanghai and the Art of Abstraction
During the fall of 2015, Shanghai’s Power Station of Art hosted an exhibition titled “Calligraphic Time and Space: Abstract Art…
Sculpture as Slap
Carol Bove: Can we talk a little about this tree piece [from the series “Tree”] in your studio right now?…
Three hypotheses for a Text on Emilio Prini Published on Flash Art 306, January-February 2016, pp. 51–59
Since his earliest contributions to the Arte Povera movement in the 1960s, Emilio Prini (b. 1943 in Italy; lives in…