Tadeusz Kantor
Tadeusz Kantor was a man of vivacious contradictions both politically and in his work, an artist who dramatized as well…
Tadeusz Kantor was a man of vivacious contradictions both politically and in his work, an artist who dramatized as well…
Jarrod Rawlins: David, you are opening a large private museum at the very bottom of Australia, some 16,000 kilometers from…
I did my first interview with Fabio Mauri in 1989, when I was working on an essay about the art…
Haroon Mirza assigns sound as much if not more weight than visuals. Inspired by Marshall McLuhan, who believed that mankind’s…
To make a thematic show is a difficult task. The risk of becoming didactic and obvious is around the corner.…
Ingo Clauß: Where does your fascination with the human body come from? Gregor Gaida: What attracts me to the human…
The years was 1982, seven years before the fall of the Berlin Wall. Christos M. Joachimides, a Greek art historian,…
In a recent performance that took place in New York, in the context of last November’s Asia Contemporary Art Week,…
Christoph Doswald: Let’s begin with the simple things. Why do you paint without color? Drago Persic: Monochrome fascinates me. Blackness…
During the fall of 2015, Shanghai’s Power Station of Art hosted an exhibition titled “Calligraphic Time and Space: Abstract Art…
Carol Bove: Can we talk a little about this tree piece [from the series “Tree”] in your studio right now?…
Since his earliest contributions to the Arte Povera movement in the 1960s, Emilio Prini (b. 1943 in Italy; lives in…
The turn of the new century has seen Shanghai shake off decades of cultural torpor. Yet the current, widespread image…
On March 16, the National Art Center in Tokyo opens what will be the most comprehensive survey to date of…
Started in 1982, Kathe Burkhart’s ongoing “Liz Taylor Series” (consisting of about three hundred paintings, drawings and prints) has opened…
How to jump on the information superhighway bandwagon? The past couple of years have seen dozens of exhibitions dealing with…