Here and Now
Choosing a way to arrive in London, or worse, how to get into London itself, is no less complicated than…
Magazine Articles
Expanding the City
“I’m glad London’s become what it is today,” an artist told me recently, “But I can’t get my head around…
Mike Nelson
Michele Robecchi: Your installations are very intense but never too busy. They seem to preserve a minimal quality. Mike Nelson:…
Cy Twombly
Rome is my life; it’s my home, my stable dwelling, the place of the consummation of my life. …
Paul Chan
Maurizio Cattelan: You look great. Paul Chan: Thank you. MC: Before we start, I would like to give you something.…
Rudolf Stingel
For the 55th Carnegie International, Rudolf Stingel has produced two new large gold-hued paintings with a subtle pattern repeated across…
In Media Res
There is no sign of an end to media penetration in our lives: the victorious progress continues. So, thanks to…
Apichatpong Weerasethakul
Whether full-length features or shorter art projects, the magnetism of Apichatpong Weerasethakul’s films does not rely on their intricate narratives,…
Bozidar Brazda
A young actress from an obscure ’80s Soviet film is sought out by an adoring fan club of Danish teenage…
Still Moving Image
The brick and rusted metal building of the Devi Art Foundation stands like a giant oversized sculpture in the largely…
Marcel Broodthaers
It has been over thirty-three years since Marcel Broodthaers died in Cologne on January 28, 1976; he died on his…
Focus Painting
In recent years, we have seen more and more that painting is being marginalized and ghettoized from the higher levels…
Josh Smith / Ann Craven
Ann – Red (anger) Josh – Blue (serenity) Hey Josh, I am being erased What do you mean? Be quiet.…
Cecily Brown
Good artists can be easily misunderstood, but only a few excellent artists — expanded artists — are pleased with this…
Pipilotti Rist
Klaus Biesenbach: The first all-surround Pipilotti experience I had was when I visited the Chisenhale Gallery in London in 1996.…
Wong Hoy Cheong
Hou Hanru: When did you start thinking about Re:Looking (2002-03)? Was it for the Venice Biennale? Or was it because…