Marina and Ulay
Helena Kontova: You’ve been Conceptual artists, then you were Body artists, and now working together you talk about “Art Vital.”…
Magazine Articles
The Ultimates
Americans, like most other people, admire families who have succeeded in accumulating and preserving wealth. But it’s not just wealth…
David Salle
Robert Pincus-Witten: Are there important issues, or perceptions of criticality, that should be addressed in the discussion around your work,…
Hans Haacke
Hans Haacke: I never quite understood what my work has to do with Conceptual art, unless this label is applied…
Regarding Documenta V
Letter signed by Robert Morris written on the occasion of Documenta 5, published in Flash Art n°32-33-34, 1972
Lawrence Weiner
Lawrence Weiner’s special project for Flash Art n°28-29, 1972
Flesh Art
from Flash Art n°44-45, 1974
About Pictures
“Pictures” is the title I gave to an exhibition, organized for Artists Space in New York City in the fall…
In Memory of Sigmar Polke
The size of many of my pictures is 150 x 200 cm, 130 x 150 cm, 130 x 140 or…
Matthew Barney
Originally published in Flash Art no. 162, 1992. I was teaching… and the one thing that terrified me no end…
Peter Halley
From Flash Art n°150, 1990 Giancarlo Politi: Someone like yourself, an intellectual, self-possessed and reflective, can you enjoy the act…
Jeff Koons
Giancarlo Politi: I can’t imagine you in your studio, because many of your works are made in a foundry. How…
Gerhard Richter
Annunciation after Titian Is it only by chance that, as one of the few works that Gerhard Richter has quoted from…
Janus
A few years ago, when a colleague roughly ten years my senior asked what I was doing that Friday night,…
Larry Clark
Mike Kelley: Tulsa was the first photographic work I ever saw that realistically depicted the drug scene. It shocked me…
Damien Hirst
A glass full of bloodstained water in which some little fish are dying / a page of typing torn into…