Giulio Paolini
Andrea Bellini: Let’s start at the beginning. Is there a real beginning? What are the moments and the intuitions that…
Andrea Bellini: Let’s start at the beginning. Is there a real beginning? What are the moments and the intuitions that…
The following interview originally appeared in Flash Art No. 130 October-November 1986 and was conducted by the French art critic…
Kateřina Šedá’s work in the rural atmosphere of Central and Eastern Europe is usually interpreted as social intervention. However, when…
Black, white, white, black. And timid colors juxtaposed, barely detectable, that issue from a recent past. This exhibition and its…
Since the extensive retrospective held at the Tapies Foundation in Barcelona in 1999, and the exhibition at the CAC in…
What is a character? It is, first of all, a letter, and secondly, an aggregate of letters, a representation of…
Clemens von Wedemeyer makes films. Which is not to say that he makes cinema. He does frequently work with cinematic…
I invited three cult women artists to reflect on nationality, what it means to be an outsider, a woman and…
The series of T-shirts in the style of bootleg concert tees portraying artists such as Maurizio Cattelan or Damien Hirst,…
This summer, on the island of Syros, Greece, the Mexican artist Mario Garcia Torres breathed new life into the idea…
As with many countries that possess a significant cultural heritage and who have an awkward relationship with modernity, Greece does…
Damien Hirst’s exhibition of new works opened in London with a degree of media hoopla now commonplace for any show…
Chris Kelvin (actor Donatas Banionis), a character already present in Andrej Tarkovskij’s Solaris, reappears in Deimantas Narkevicius’s film Revisiting Solaris,…
Maurizio Cattelan: Hello Peter. I’m glad we have this opportunity to talk. I am interested in knowing how you think…
It doesn’t come as news that the Los Angeles art scene is growing fast. It’s evident in the sheer quantity…
In a recent conversation, the French dancer and choreographer Jérôme Bel articulated a distinction between the ‘fine arts artist,’ or…