Cerith Wyn Evans “No realm of thought… No field of vision” White Cube / Bermondsey
If the stark, ascetic coda of Cerith Wyn Evans’s sculptures disintegrates under anything it is the sensuality of optics. Diluting…
Magazine Articles
Liam Gillick “Redaction” Casey Kaplan / New York
“Redaction,” the current show by Liam Gillick at Casey Kaplan Gallery, New York, brings together a selection of key texts,…
Ragna Bley & Inger Ekdahl Malmö Konsthall
Abstract painting has a long history in Sweden. Indeed, modern abstraction may have been first manifested in the painting of…
Vivian Suter “Tintin’s Sofa” Camden Arts Centre / London
Recently, the life and work of Vivian Suter has been afforded an almost mythic quality. Born in Buenos Aires and…
Love and the Paraliterary: On Barbara Kruger’s Picture/Readings
Barbara Kruger’s work has come to represent a host of negative affects for art historians and critics, and it is…
“Bananas are a contemporary mirror”. Maurizio Cattelan in conversation with Virgil Abloh
Maurizio Cattelan: You produce desire for your audience: How do you generate it? What moves desire? Virgil Abloh: In general,…
Nicolas Trembley / Director of the Syz Collection, Switzerland
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Elsy Lahner / Curator of the Albertina Museum, Vienna
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Simon Castets / Director of the Swiss Institute, New York
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Heike Munder / Director of Migros Museum für Gegenwartskunst, Zurich
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Sherrie Levine: A Matter of Indiscernibility
“And yet there is a sense in which the painter also creates a bed? Yes, he said, but not a…
“Circular Flow. On the Economy of Inequality” Kunstmuseum / Basel
It’s a new decade. One continent just burned and another is sure to. We are either at the precipice of…
“In Practice: Total Disbelief” SculptureCenter / New York
What is at stake when doubt is our primary stance toward the world? “In Practice: Total Disbelief” at SculptureCenter stages…
Exilic Glamour: Alice Channer
It took Alice Channer a while to go to art school and start her BA. Part of the reason was…
From Criticism to Complicity "Our approaching destination looks frighteningly familiar. We might have to find someplace else."
Peter Nagy: In what ways does this new work depart from or elaborate upon work done by the Pictures generation…
Arthur Jafa. Face It: The “Affective Proximity” of Imagery
“John Akomfrah […] said something that struck me, because I feel it’s at the core of almost everything that I…