Liz Larner "below above" Kunsthalle Zurich
On a clear moonless night, looking out from the shore, the horizon might disappear and the two great physical voids…
On a clear moonless night, looking out from the shore, the horizon might disappear and the two great physical voids…
In July, Camden Art Centre opened “Soft Acid,” the first institutional exhibition of Tenant of Culture (the anonym for the…
Dominique Gonzalez-Foerster wants to know: “What if aliens were in love with us?” Influenced by her research into extraterrestrial life,…
The following are excerpts from conversations that artist Pavlo Makov had with various people from February 24 — the day…
Rindon Johnson’s work is as much about poetry as it is about presence. Poetry, in how the American artist uses…
Last November Wolfgang Tillmans released his first studio album, Moon in Earthlight, a fifty-three-minute-long soundscape that weaves together pop elements,…
When the word skin is verbalized — to skin — the associations with this outer layer of the body start…
Artists at Risk (AR) is a non-profit organization at the intersection of human rights and the arts, with a mandate…
One is a critic because one has never felt affirmed (Barbara Kruger never speaks in the third person). There is…
The eightieth iteration of the Whitney Biennial is subtitled “Quiet as It’s Kept,” an expression curator Adrienne Edwards remembers her…
Some might consider Marguerite Humeau’s artistic trajectory unconventional. Coming to art via design, she first studied textile design in France,…
The advent and proliferation of technologies that encourage practices of accumulating and storing information has precipitated a contemporary preoccupation with…
As of late, “prescient” has become the preferred modifier for artist, Tishan Hsu. Indeed, as framed by the recent retrospective…
Hidden stories and marginal narratives have attracted Wu Tsang throughout her artistic career. The belief that history is nothing but…
Plank Piece I and II (1973), a black-and-white photographic diptych showing the young Charles Ray’s body pinned against the wall…
When Michael Fried published his notorious essay “Art and Objecthood” (1967), he likely did not expect “theatricality” to become such…