Peter Coffin
Maurizio Cattelan: Hello Peter. I’m glad we have this opportunity to talk. I am interested in knowing how you think…
Maurizio Cattelan: Hello Peter. I’m glad we have this opportunity to talk. I am interested in knowing how you think…
It doesn’t come as news that the Los Angeles art scene is growing fast. It’s evident in the sheer quantity…
In a recent conversation, the French dancer and choreographer Jérôme Bel articulated a distinction between the ‘fine arts artist,’ or…
Isaac Julien and Yvonne Rainer — friends for over 20 years — have been invited by Flash Art to sit…
Kraków-based artist Marcin Maciejowski is a man of few words. It’s no surprise then that his paintings have an economy…
It seems to be the case today that conceptual programs for institutional exhibitions are increasingly driven by the dictates of…
Helena Kontova: You lived for almost a year in Germany, in Berlin. How was this experience and your relationship to the…
In 1991, a conversation appeared in the Czech magazine Vitvarné umení (Visual Art) between Jirí David and a colleague of…
Amongst the artists who participated in this year’s Performa, Francesco Vezzoli created his first live performance entitled Right You Are…
Lina Bertucci: You’ve been working as an experimental filmmaker since the ’70s. You have an incredible breadth and range of…
The Art of Branding One show, more than any other, has been at the center of the brouhaha in LA…
The Bowery brings out a sentimental streak in New York. For decades the street was seen as a shady problem…
The purpose of this text is to investigate recent work by five artists embedded in the Mexican contemporary art scenes…
Maurizio Cattelan: Hello Matthew? Is that you? The phone signal is very bad. Is this a good time for some…
Paul McCarthy: When was Tulsa? Larry Clark: From ’62 to ’71. PM: Karen and I met in ’63. In ’66, ’67,…
Adam Szymczyk: Dear Cezary, Flash Art wanted me to ask you a couple of questions with the intention of publishing…