Fog Work. A Conversation with Daiga Grantina
Daiga Grantina’s 2020 exhibition, “What Eats Around Itself,” at New Museum in New York — my first encounter with her…
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Mean Time Between Failure. A Conversation with Racheal Crowther
Racheal Crowther attempts to materialize the immaterial across her largely installation-based output. Recent work examines how the five bodily senses…
Almost Nothing
Almost nothing is too much. – Reyner Banham, 19621 It is not uncommon to hear that architecture today has dissolved,…
Compose Yourself. Alexandra Metcalf
Upon first encounter, the work of British-American artist Alexandra Metcalf captivates with its unapologetic femininity. Her paintings have a distinctly…
Repairing Shinjuku
We held a solo exhibition titled “TEIRE / Repair” (2021) at Whitehouse in Shinjuku. The exhibition centered on repairing the…
Never Let Go. Sidsel Meineche Hansen
Immersed in a perpetual hypnagogic state, Sidsel Meineche Hansen’s Grumpy (2025) is an eviscerated yet undead killjoy – an agential…
Forms’ Fall from Utopia
We live in the shadows of forms. Ideas, perfection of realities made through abstraction. Extracting something’s essence through philosophical clinical…
The Device of Eternal Motion. A Conversation with Karla Kaplun
Mexican artist Karla Kaplun makes work around the construction and functioning of collective memory, and how that unfolds in dynamics…
Bayberry Greenhouses: Monumentality and Cropscape
Clouds of mist part in the mountains of Lin’an (临安), China to reveal a fragment of reptilian skin. A mass…
Who Are These People? A Conversation with Kai Althoff
Carlo Antonelli: Who are these people, the ones that populates your works? Kai Althoff: They accumulate. Some return more often…
A Room with a View. Hardy Hill
The first camera was a darkened room. Through a pinhole, the outside world was reflected on the opposite wall, upside…
Participatory Design or Processual Formalism? Frei Otto, the Ökohaus, and the Ökohäusler
My first, fleeting encounter with the Ökohaus (Eco-House) project came during an all too brief visit to Berlin in November…
Survival Mechanism. A Conversation with Christine Sun Kim
Christine Sun Kim began working at the Whitney in 2007 as an educator, and later, as a consultant to establish…
Sculpting Light. A Conversation with Nana Wolke
When I speak with Nana Wolke over Zoom, she has just returned to New York after spending Christmas in Ljubljana,…
Happy Accidents, Silver Linings: Nat Faulkner
Nat Faulkner produces images — but also the potential for images. He uses photography’s sleight of hand, from the micro…
Not (Not) An Autobiography. A Conversation with Sophie Calle
Arriving at Sophie Calle’s studio in Malakoff on a rainy day, one steps into a quiet courtyard where an urban-yet-wild…