A NEW (ART) WORLD
We are living in surreal times. A lot of unimaginable things have happened over the past eight months, and we…
Critic Dispatch
Before We Dreamt in Halves: 60th Venice Biennale
Today, Mother died. Or, maybe, yesterday; I can’t be sure. — The Stranger, Albert Camus I’m not always sure…
Baroque as Being
If there was ever a time to imagine something better, it is now, someone is always saying from the precipice,…
We, the Brand Evangelists of POSTPOSTPOST
On April 2, 2022, Madonna posted a TikTok. In it, she rightfully stars, clad in a black mesh top with…
A Postmortem of #corecore
Described as “the trend to end all trends,” #corecore was a paradoxical TikTok hashtag that briefly garnered mainstream attention at…
Age of the Femtroll, or the Based It Girl
The reactionary, provocative, post-ironic It girl has emerged as the most influential figure on the New York art scene. Is…
The Dawn of Endcore
—1 — Is it the end? Has the end finally come? No one is sure exactly when it’s happening. We…
Is Art Rooted in Life? Documenta, Now
Since its initiation by the architect and painter Arnold Bode in 1955, Documenta has pushed the boundaries of curatorial frameworks…