Oskar Dawicki
Edith Jerabkova: Where does your blue performance jacket come from? Oskar Dawicki: The jacket is not mine. A friend of…
Brand New
Ryan McNamara
Miriam Katz: I’d like you to talk about your surge of productivity over the past year. It seems like something…
Karin Hueber
Michele Robecchi: Mirroring surfaces seem to be a recurrent theme in your work. Karin Hueber: The different relations of views…
Volkan Aslan
Nancy Atakan: Much of your work seems to be a type of narrative. How would you describe your art practice?…
Nadim Vardag
Dominikus Müller: Your artistic practice often shifts towards cinema, more precisely towards the cinematic apparatus. Describe the relationship between art…
Ursula Mayer
Annette Amberg: Your earlier films reflect on the relationship between the camera’s gaze, female protagonists and architectural spaces, as well…
Nick Oberthaler
Joanna Fiduccia: You have a work from 2008 entitled Von der Unmöglichkeit seiner eigenen Jugend treu zu bleiben… Nick Oberthaler:…
Verena Dengler
Will Benedict: In your works you seem to be creating a confluence between graphics and sculpture. How did a silkscreen…
Tomasz Kowalski
Joanna Zielińska: The overall image in your works is governed by very specific rules. Motifs circulate and paintings — which…
Claire Hooper
Ian Hunt: Before Nyx (2010) you made Nach Spandau (2008), also made in the U-Bahn, Berlin’s metro. What is their…
Amanda Ross-Ho
Michael Ned Holte: When I visited your studio a few years ago, I remember being amazed by the filing system…
Haroon Mirza
Haroon Mirza assigns sound as much if not more weight than visuals. Inspired by Marshall McLuhan, who believed that mankind’s…
Gregor Gaida
Ingo Clauß: Where does your fascination with the human body come from? Gregor Gaida: What attracts me to the human…
Drago Persic
Christoph Doswald: Let’s begin with the simple things. Why do you paint without color? Drago Persic: Monochrome fascinates me. Blackness…
Aki Sasamoto
Mary Rinebold: Tell me about your preoccupation with donuts. Aki Sasamoto: The way I gather material is like going…
Petrit Halilaj
For Petrit Halilaj family bonds are important, especially because he has two families: one natural and one he defines as…