Carey Young
Laura Fried: You titled your recent solo exhibition at the Contemporary Art Museum St. Louis “Speech Acts.” Could you describe…
Brand New
Sean Micka
Christophe Boutin: You recently had a solo show in Prague. Could you tell me about it? Sean Micka: Yes, “After…
Sopheap Pich
Brian Curtin: Tell me about your recent commission for King Abdullah University in Saudi Arabia. Sopheap Pich: I was selected…
Molly Zuckerman-Hartung
John McKinnon: While abstract, your paintings do not conform to one style. Can you describe your approach to a single…
Lesley Vance
Laura Fried: Your compact compositions reveal suspended abstract forms, layered by series of densely pigmented veils of paint. And yet…
Amie Dicke
Anat Ebgi: Your installation at Herengracht 401, Claustrophobic, involved the belongings of Claus Victor Bock, a German Jew who hid…
Sriwhana Spong
Danae Mossman: Can you describe the ideas driving your practice currently, and what form they may take? Sriwhana Spong: I’ve…
Agnieszka Brzezanska
You are not interested in the medium as such. (Actually I am.) In interviews you often emphasize that a painting…
Jonathan Baldock
The Harlequin (2009). Francesco Scasciamacchia: In the Commedia dell’ arte, professional players acted with masks. In your work the mask…
Nicholas Byrne
Heather Flow: Studio Voltaire presented your first solo show in 2008 entitled “Divider.” The exhibition featured a series of paintings…
Daniel Pitín
Gerald Matt & Katarzyna Uszynska: Your interest in movies is quite clear in many of your works. What can still…
Jesse Aron Green
Sonia Campagnola: The video installation you showed at this year’s Whitney Biennial, Ärztliche Zimmergymnastik, was inspired by German physician Moritz…
Matthew Smith
Sarah McCrory: How did you prepare your show at Limoncello? Matthew Smith: I’ve hit a point where things need to…
David Adamo
Gabrielle Giattino: David, I want to start off by talking about some of your earlier work from 2004-2005; pieces we…
Sara Rahbar
Shaheen Merali: How and what are the main drives behind your making and thinking? Sarah Rahbar: I have a fear…
Amir Mogharabi
Nicola Trezzi: Your work develops on two basic levels. Your pieces are individually striking and beckon questions. Once one begins…