Love and the Paraliterary: On Barbara Kruger’s Picture/Readings
Barbara Kruger’s work has come to represent a host of negative affects for art historians and critics, and it is…
#329 Feb–Mar 2020
Nicolas Trembley / Director of the Syz Collection, Switzerland
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Elsy Lahner / Curator of the Albertina Museum, Vienna
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Simon Castets / Director of the Swiss Institute, New York
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Heike Munder / Director of Migros Museum für Gegenwartskunst, Zurich
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Sherrie Levine: A Matter of Indiscernibility
“And yet there is a sense in which the painter also creates a bed? Yes, he said, but not a…
“Circular Flow. On the Economy of Inequality” Kunstmuseum / Basel
It’s a new decade. One continent just burned and another is sure to. We are either at the precipice of…
“In Practice: Total Disbelief” SculptureCenter / New York
What is at stake when doubt is our primary stance toward the world? “In Practice: Total Disbelief” at SculptureCenter stages…
Exilic Glamour: Alice Channer
It took Alice Channer a while to go to art school and start her BA. Part of the reason was…
From Criticism to Complicity "Our approaching destination looks frighteningly familiar. We might have to find someplace else."
Peter Nagy: In what ways does this new work depart from or elaborate upon work done by the Pictures generation…
Arthur Jafa. Face It: The “Affective Proximity” of Imagery
“John Akomfrah […] said something that struck me, because I feel it’s at the core of almost everything that I…
Kaarel Kurismaa Temnikova & Kasela Gallery / Tallin
“The Old Man and the Musical Score” at Temnikova & Kasela Gallery in Tallinn showcases works by one of Estonia’s…
Irena Haiduk Swiss Institute / New York
Irena Haiduk’s “REMASTER” was inaugurated by the circulation of five hundred keys, which physically open an exhibition that otherwise remains…
Lynda Benglis Museum of Cycladic Art / Athens
A childhood photograph of Lynda Benglis in Greece wearing a fustanella — the traditional male uniform connected with the War…
“Theater of Operations: The Gulf Wars 1991–2011” MoMA PS1 / New York
“Theater of Operations: The Gulf Wars 1991–2011” at MoMA PS1 is a vast group show that won’t let you look…
After the Master: The Copy as Origin and Renewal
Go to any major museum to see ancient Greek statuary and you’ll find wall labels that read “Roman copy.” It’s…