artmonte-carlo 2019
As we approached the center of Monaco, the driver who picked me up at the airport pointed out one of…
As we approached the center of Monaco, the driver who picked me up at the airport pointed out one of…
Lodovico Pignatti Morano in conversation with Nanni Balestrini Lodovico Pignatti Morano: I’d like to focus in this interview on the…
Considering three particular moments in the intersected histories of India, Pakistan, and Bangladesh — the 1905 partition of Bengal within British India,…
The last of the trilogy of exhibitions presented under the rubric “PRE-ORDER I–III,” the first mounted at Kunsthal Aarhus in…
In the beginning there was a telephone. And this telephone was ringing. And no one was answering. As there was…
The task of representing Finland, Norway, and Sweden — or the Nordic countries — at the 58th International Art Exhibition…
The Metropolitan Museum of Art Costume Institute Benefit, otherwise known as the Met Gala, “the Oscars of the East Coast,”…
If the world sometimes feels like a boy’s club, it’s because, sometimes, it is a boy’s club. Roll up, roll…
Dance Office is a column dedicated to contemporary dance and performance art. Anne Imhof’s much-anticipated new work presented at Tate Modern…
Mandy El-Sayegh’s research addresses some of the most burning questions that women (artists) have dealt with for decades: How does…
With the exhibition “RGB: Return to the gate following B,” Korean artist Jieun Lim does a lot with very little.…
Ellen Gallagher’s first show in Belgium, titled “Liquid Intelligence,” focuses on her collaboration with Dutch photographer Edgar Cleijne, with whom she produced the…
Focusing on five different female typologies whose only common trait seems to be the letter b, Kris Lemsalu’s encompassing and compelling installation at…
“Emerson” introduces the first chapter of the new column “Non Conventional Modes of Curating.” “Emerson” works as an introduction to the…
It seems appropriate that Mark A. Rodriguez’s new show should be not altogether new. I know I’ve seen those flowers…
The delicate relationship between sculpture and object permeates Isa Genzken’s solo exhibition at Kunsthalle Bern. All of Genzken’s research on…