Sylvia Kouvali on Rodeo Gallery / London, Istanbul
Having initially opened their gallery doors in Istanbul back in 2007, occupying a former factory building, Rodeo Gallery has recently…
Having initially opened their gallery doors in Istanbul back in 2007, occupying a former factory building, Rodeo Gallery has recently…
Kunsthaus Langenthal presented an exhibition of two young Swiss painters; besides their respective virtuosity, Charlotte Herzig and Andreas Hochuli’s “Il…
Mélanie Matranga’s “A perspective, somehow” turned Karma International into the kind of tasteful interior design store found on Zurich’s tonier…
It can be difficult to separate the work of Charles Atlas from that of his subjects: for four decades, he’s…
If, as media pundit Marshall McLuhan proclaimed, we become what we behold, then most Dubai residents are likely to be…
Two works — an architectural intervention and a new film — comprise Mathias Poledna’s exhibition at the Renaissance Society. Together,…
Mónica Manzutto and José Kuri opened their gallery together over fifteen years ago. Today kurimanzutto has become one of Mexico’s…
Pioneers, explorers, gold-diggers, fortune-seekers… They reached the West and settled. Then what happened to their mindset? Did it become still…
The premise of Spitzenprodukte’s CHUBZ: The Demonization of my Working Arse is the following: we are in the middle of…
A sculpture is the same sculpture still, regardless of how much its form changes, even when outside intervention or a…
A glass of absinthe, such as those as seen in two of Willa Nasatir’s rephotographed photos on display in “Joshing…
Kunsthalle Lissabon (KL) is one of the few solid independent institutions in Lisbon’s contemporary art scene. Persevering through a climate…
“The Sharjah Biennial,” an editor of mine once opined, “has always been political, in a quiet way.” This year’s Sharjah…
A walk under the Oscar Niemeyer–designed marquise is one way to arrive at the MAM in São Paulo’s Ibirapuera Park.…
“Witty is always funny in the art world, but is funny acceptable, too?” asks John Waters. “It’s a thin line.”…
German painting of the 1960s, ’70s and ’80s was torn between an ironic relativism (Richter, Polke, Kippenberger, Förg) and an…