◯ Tourmaline, Silver Wraith, 2022. Gelatin silver print. 25,4 x 25,4 cm unframed; 52,7 x 52,7 cm framed. Courtesy of the artist and Chapter NY, New York.
◯ Okay Kaya, 2022. Portrait by Shawna Ferreira. Styled by Dione Davis. Full look: Acne Studios; Earrings: Tiffany & Co. Courtesy of the artist.
◯ Gaetano Pesce for Bottega Veneta. Special project for Flash Art, 2022. Courtesy and © Gaetano Pesce.
FEATURES → ◯ Black-American Mytho-Cinematic Universe. Tourmaline by Octavia Bürgel ◯ Form and Feeling. Tosh Basco by Matthew McLean ◯ Letter from the city. We’ve Shamed the Sacklers. Who’s next? by PAIN (Prescription Addiction Intervention Now) ◯ Multitudinal Pictures. Wolfgang Tillmans by Olamiju Fajemisin ◯ Visual Project. The Song of the Land is Calling. Basel Abbas and Ruanne Abou-Rahme by Noam Segal ◯ SEMIOFUCK. Episode II: Rom-Comms by Armature Globale ◯ Arizona 2000. Special project by Sylvie Fleury ◯ Even My Subconscious is Self-Conscious. Okay Kaya in Conversation with Isabelia Herrera ◯ Profile. GmbH at Trussardi: It’s About Time by Charlie Robin Jones ◯ One to Watch. Extinction and Extraction: Archival Politics in the Work of Jumana Manna by Jane Ursula Harris ◯ I Do What I Can. Gaetano Pesce in Conversation with Hans Ulrich Obrist ◯ Critic Dispatch. The Dawn of Endcore by Shumon Basar ◯ God’s Fertile Excrement. Tita Cicognani by Franklin Melendez ◯ Questionnaire. In Pursuit of the Masquerade. My Barbarian in Conversation with Jazmina Figueroa.
REVIEWS → ◯ “New York: 1962–1964” The Jewish Museum, New York ◯ Sissel Tolaas “RE _________” ICA Philadelphia ◯ Carolee Schneemann “Body Politics” Barbican Centre, London ◯ Cyprien Gaillard “HUMPTY \ DUMPTY” Lafayette Anticipations and Palais de Tokyo, Paris ◯ Renée Green “Inevitable Distances” Migros Museum für Gegenwartskunst, Zurich ◯ cameron clayborn “nothing left to be” Hamburger Bahnhof – Museum für Gegenwartskunst, Berlin ◯ Anne Imhof “YOUTH” Stedelijk Museum, Amsterdam.