Wong Ping Camden Arts Centre / London
Wong Ping’s practice revolves around three fundamental aspects — filmmaking, sculpture, and storytelling. His animated films are the result of…
Michele Robecchi
Mike Nelson
Michele Robecchi: Your installations are very intense but never too busy. They seem to preserve a minimal quality. Mike Nelson:…
Latifa Echakhch
The work of Latifa Echakhch is refreshing proof of how art can be communicative and socially educational without being patronizing…
Robin Rhode with Leif Ove Andsnes
Pictures At an Exhibition, Modest Mussorgsky’s 1874 composition inspired by the paintings of Viktor Hartmann, was the ground on which…
Damien Hirst
Michele Robecchi: How did “Cornucopia,” the exhibition at the Oceanographic Museum in Monaco, come about? Damien Hirst: I love the…
Pawel Althamer: Common Task
The importance of the Warsaw housing estate of Bródno can hardly be overestimated in Pawel Althamer’s practice. Long-time residence of…
Karin Hueber
Michele Robecchi: Mirroring surfaces seem to be a recurrent theme in your work. Karin Hueber: The different relations of views…
Sensation
Artists and curators always display a sense of badly concealed pride when one of their exhibitions is chastised as ‘controversial.’…
Anne-Julie Raccoursier
“Loop Line,” Anne-Julie Raccoursier’s exhibit at the Kunsthaus Langenthal, starts with a series of soap bubbles that lead to a…
Alexander Heim
The Great Plastic Vortex (2011), a work Alexander Heim presented at Art Basel’s “Art Statements” last June, refers to a…
dOCUMENTA (13)
Due to its spread-out character, with a disproportionate number of artists dispersed over twenty venues and a multitude of topics,…
Art of Change: New Directions from China
Barely two days into its existence, “Art of Change” found a critic in the authoritative figure of Ai Weiwei, who…