Yvon Lambert
Donatien Grau: In what context did you open your first gallery in 1964? Yvon Lambert: I was around 20 when…
Donatien Grau: In what context did you open your first gallery in 1964? Yvon Lambert: I was around 20 when…
There is something rotten about the old ideal of sex, drugs and rock ‘n’ roll. Attending a concert of Lady…
Donatien Grau: You became a gallerist mainly for artists. Hannah Barry: I opened the gallery out of a sense of…
Very few exhibitions adequately follow Mies van der Rohe’s famous motto: “less is more.” But that statement perfectly describes Marisa…
Donatien Grau: You’ve had a very complete and fascinating career: from dean of students at Johns Hopkins University and member…
Donatien Grau: You first established your gallery in Nice. Florence Bonnefous: We first met when we were both students at…
Pure draughtsmen are philosophers and dialecticians. Colorists are epic poets. — Charles Baudelaire In an interview published in March 2011…
Today’s world is not only about ideas. And that may be why Maurizio Cattelan, whose work has always consisted of…
Donatien Grau: You opened your gallery in 1964, when you were 23. What lead you to it? Seth Sieglaub: Before…
Donatien Grau: What was your entry into the art world? Marian Goodman: My entry into the art world was via…
Donatien Grau: What was your background when you founded your gallery? Michael Werner: I come from a lower middle-class context…
Donatien Grau: This idea of the body of the text is really important in your work… Michael Dean: All my…
Donatien Grau: You started working as a gallery director for Anthony d’Offay. Sadie Coles: First I had a museum job.…
Donatien Grau: You previously worked at Gemini G.E.L. and then at the Pasadena Art Museum. Could you tell me about these…
Donatien Grau: You show painters, though for a long time you worked a lot with photographers. Have you come to…
Donatien Grau: At the very beginning you wanted to be a writer. What led you to open a gallery? Dan Graham:…