Episode XVI. The Art of The Code
As Feral File celebrates the cross-fertilisation of artists and technologists, Alex Estorick speaks to Sarah Friend and Gene Kogan about…
Alex Estorick
I Dream of DeFi. A Conversation with Ruth Catlow, Max Grünberg, Max Haiven, Aude Launay, and Denise Thwaites
With the value of NFTs apparently folded into the volatile fortunes of cryptocurrency, art and money’s deadly dance appears to…
Episode XI. Media Genealogies and Haptic Geographies
“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and…
Episode VIII. Stephanie Dinkins and the Art of Deep Learning
“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and…
Episode III. Algorithmic Violence and the Politics of Data: The Work of Mimi Onuoha and Gretchen Andrew
“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and…
Episode I. Artificial Intelligence and Drag Performance: Jake Elwes’s “The Zizi Project”
“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and…
Artificial Abstraction and the Poetics of Machine Learning: The Role of AI in the Art of Anna Ridler and Roman Lipski
A new generation of artists are working with machine learning as an integral part of their practice. At a time…
Approaching Abstraction Blain Southern / London
Convened to accompany Bosco Sodi’s concurrent exhibition, “Heavens and the Earth” — also at Blain Southern — this small group show brings together work…
Frontier Fears
Since 1979, Ars Electronica has served as a platform for discourse surrounding the convergence of art and technology within society.…
When the Painter Learned to Program
The whole of my history in relation to computing really has had to do with a change from the notion…