A Conversation with Alice Rekab about “Family Lines” at Douglas Hyde Gallery in Dublin
Enlarged images from books, personal photographs, precarious structures in various states, platforms, knotted clay ropes, an array of meshed objects…
Conversations
A couple of things. Or rather, a cupola things. A conversation with Pope.L
The word “interview” finds its way to the English language from a French relative, s’entrevoir, or “to see each other.”…
What Will You Do with the Days? An Interview with Sam Keogh
Creased, flattened-out drawings, loose cuttings, intricately labored paintings, slimy melted plastic, industrial-size tunneling machines, the flaccid limbs of figurative characters,…
In the Air Tonight: A Conversation with Andrew Norman Wilson
Andrew Norman Wilson’s practice often interrogates the way in which artworks can infiltrate the viewer experientially. With In the Air…
Material Traces of the Immaterial: A Conversation with Penny Goring
Caroline Elbaor: First off, sincere congratulations on this pair of exhibitions. That leads to my initial question: Were these shows…
Before and After Math. A Conversation with Jim Shaw
Now that Jim Shaw believes he’s washed his toxic obsession with Donald Trump out his system (see last year’s show…
Radical Futures: A Conversation with Josh Kline
This conversation took place in May 2020. The text was originally published in Flash Art no 349 Estate 2020 –…
Leilah Weinraub: It’s a Zone
Leilah Weinraub’s Shakedown (2018) is a seventy-minute record of a Black-owned-and-operated lesbian strip club in Los Angeles, active in the…
Daiga Grantina Discusses “What Eats Around Itself” at the New Museum, New York
Alex Bennett: Though your work involves sculptural assemblages of extremely diverse material, it’s curious to know that film was your…
Patrick Staff Discusses “On Venus” at the Serpentine Galleries / London
Quinn Harrelson: Tell me about your exhibition “On Venus” at the Serpentine. Patrick Staff: It’s all new work. Although it…
Cross-Species Communication and Bio-Sensing Art of the 1970s and 80s: A Conversation with Richard Lowenberg
Thinking back on the hallucinogenic American postwar art scene, one envisions that hazy confluence of networks and disciplines native to…
Anastasia Mityukova’s Project Iceworm
“Project Iceworm” was a mid-twentieth-century mission undertaken — then abandoned — by the U.S. military to test nuclear missiles in…
On Failure, Decay, and New Forms of Responsibility. A Conversation with Ibrahim Mahama
Architecture, and the dissonance between its history, form and function is paramount to artist Ibrahim Mahama, representing Ghana at the…
Cole Lu: Animal Fancy
In Western folklore, monsters often undergo processes of bodily manipulation in which they are torn apart and stitched together into…