Micheal Dean
Donatien Grau: This idea of the body of the text is really important in your work… Michael Dean: All my…
Magazine Articles
Urs Fischer: Madame Fisscher
Urs Fischer’s retrospective at Palazzo Grassi, Venice, comprises works made between the early ’90s and the present day, and starts…
Alejandro Jodorowsky
Alejandro Jodorowsky: I would like to start this alphabet with the letter B as the prologue. Bonsai. Why? Because you…
Bas Jan Ader
Patrick Steffen: When did you start working with Bas Jan Ader? Patrick Painter: When I first picked up Bas Jan…
Cults, Choreography and the Eschatology of Maizidian
It’s hard to miss Chen Tianzhuo when you meet him for the first time; whereas most artists in Beijing dress…
dOCUMENTA (13)
Due to its spread-out character, with a disproportionate number of artists dispersed over twenty venues and a multitude of topics,…
Kenzo
Humberto Leon and Carol Lim are taking over Paris: freshly appointed as creative directors of Kenzo, the two New York–based…
On Art and Revolutions,
or a Facebook Ranting
of Yours Sincerely
This is an excerpt from my Facebook wall, prompted by a statement I made regarding my visit to dOCUMENTA (13)…
Joseph Beuys
I have come to the conclusion that there is no other possibility to do something for man other than through…
The Rise of Turkey
Flash Art invites a selection of some of the most dynamic Turkish galleries, institutions, curators, collectors and artists to give…
Liz Magic Laser
Patrick Steffen: You sometimes recast existing plays or re-enact existing dialogues or scenes. Should I understand from this that reality…
Korean Eye
Ahead of an exhibition lie the immeasurable expectations of its audience; behind it, the concealed circumstances of its preparation. Between…
Richard Serra
When art historian Rosalind Krauss wrote about Richard Serra’s work in 1977, she described the artist’s unrelenting and vigorously exploratory…
Sadie Coles
Donatien Grau: You started working as a gallery director for Anthony d’Offay. Sadie Coles: First I had a museum job.…
Hands over Milan. Nanni Balestrini, Ugo La Pietra, Giorgio Armani
Lodovico Pignatti Morano in conversation with Nanni Balestrini Lodovico Pignatti Morano: I’d like to focus in this interview on the…
The Impalpable Citadel
Claudio Parmiggiani was born in Luzzara (Italy) in 1943. Those wishing to know where he comes from need only turn…