Ohad Meromi
In “The Sadness of Post-Workerism,” an essay by the anthropologist and activist David Graeber that Ohad Meromi shared with me,…
Magazine Articles
A Space in Between
Sara VanDerBeek: I came here excited having recently seen your exhibition “Available Light” (2012). It was so simple and luminous,…
Gede Mahendra Yasa
Lucy Rees: Your work consistently touches on the philosophical and epistemological aspects of painting. Can you talk about the title…
Liu Wei
Reality: this nominal territory we all inhabit but which no one can own or control. Simply defined, “reality” is the…
We Are Beautiful
Originally published in Flash Art International no. 284 May-June 2012 Looking at society today, the fundamental question of whether human…
Liu Ding
Self-awareness is a key feature of Liu Ding’s work — in many cases incessantly so. When you look at Liu…
Yayoi Kusama
For a woman of 83, you could say that Yayoi Kusama’s moment has been a long time coming. It’s not…
Michael Werner
Donatien Grau: What was your background when you founded your gallery? Michael Werner: I come from a lower middle-class context…
Making Sense of the Guggenheim’s South and Southeast Asia Initiative
While museums the world over are deliberating the pecking order of emerging art scenes to engage in, typically the Middle…
Ali Banisadr
Ali Banisadr wakes up pretty early, goes for a run in Central Park, comes home, answers e-mails, reads the newspaper,…
What Lies Beneath
Archaeology is not as far from contemporary art as it might first seem. Concerned with the recovery and examination of…
The Hong Kong Way
More than 67,000 visitors flocked to what was the fifth and final edition of Art HK as we know it.…
Tracey Emin
Umberta Genta: When I saw your show “She Lay Down Deep Beneath the Sea” at Turner Contemporary, I instinctively felt…
Eleanor Antin & Judy Chicago
Glenn Phillips: Both of you grew up in different parts of the United States — Judy you were in Chicago,…
Jacob Kassay
Matthew Lyons: I thought we could start by talking about the art scene up in Buffalo where you’re from and…
Adam Lindemann
Wendy Vogel: You’ve been a collector for years, and in May 2012 you opened a gallery in New York’s Upper…