Eleanor Antin & Judy Chicago
Glenn Phillips: Both of you grew up in different parts of the United States — Judy you were in Chicago,…
Glenn Phillips: Both of you grew up in different parts of the United States — Judy you were in Chicago,…
Matthew Lyons: I thought we could start by talking about the art scene up in Buffalo where you’re from and…
Wendy Vogel: You’ve been a collector for years, and in May 2012 you opened a gallery in New York’s Upper…
The various drawings that comprise Biogenetics, the new artist’s book by Avner Ben-Gal, edited by Yael Bergstein1, are arranged sequentially,…
On the occasion of the reopening of the Palais de Tokyo, Paris on April 12, Gea Politi speaks to President…
Hans Ulrich Obrist: How did you come to art? Was there some kind of an epiphany? Nicholas Hlobo: It was…
Through this Survey, Flash Art asks a group of top gallery owners about the upcoming season. 1) Tell us about…
Linda Yablonsky: The first time I saw your work, three years ago, I asked if you considered yourself a sound…
Maurizio Cattelan: Ciao, John. Can you hear me okay? John Henderson: Yes, I can hear you surprisingly well. MC: Let’s…
If I say “pumpkins and turbans,” the first thing that comes to mind might be the edible squash called a…
Florence Derieux: I keep a vivid memory of the first work of yours that I ever saw. Un chien andalou…
Agnieszka Gratza: Am I right in thinking that there has been a shift away from the representation of the human…
Donatien Grau: This idea of the body of the text is really important in your work… Michael Dean: All my…
Urs Fischer’s retrospective at Palazzo Grassi, Venice, comprises works made between the early ’90s and the present day, and starts…
Alejandro Jodorowsky: I would like to start this alphabet with the letter B as the prologue. Bonsai. Why? Because you…
Patrick Steffen: When did you start working with Bas Jan Ader? Patrick Painter: When I first picked up Bas Jan…